TY  - BOOK
AU  - Holl, Ute
AB  - Ute Holl explores cinema as a cultural technique of trance, unconsciously  transforming everyday spatio-temporal perception. The archaeology of experimental and anthropological cinema leads into psycho-physiological laboratories of the 19th century. Through personal and systematic catenations, avant-garde filmmaking is closely linked to the emerging aesthetics of feedback in cybernetic models of the mind developed at the same time. Holl analyses three major fields of experimental and anthropological filmmaking: the Soviet avant-garde with Dziga Vertov and his background in Russian psycho-reflexology and theory of trance; Jean Rouch and his theory of cine-trance and the feed-back; and the New American Cinema with Maya Deren and Gregory Bateson conceptualising the organisation of time, space, movement and feedback trance in anthropological filmmaking.
DO  - 10.5117/9789089646682
ID  - OAPEN ID: 631164
ID  - OAPEN ID: OCN: 993581064
KW  - Media and Communications
KW  - Consciousness
KW  - Cybernetics
KW  - Dziga Vertov
KW  - Jean Rouch
KW  - Physiology
L1  - https://library.oapen.org/bitstream/id/39d0b0e4-246d-4b73-92c6-59df9f481674/631164.pdf
LA  - English
LK  - http://library.oapen.org/handle/20.500.12657/31337
PB  - Amsterdam University Press
PP  - Amsterdam
PY  - 2017-04-30
SN  - 9789048523481
TI  - Cinema, Trance and Cyberneticsnull
ER  - 
