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dc.contributor.authorGrosoli, Marco
dc.date.accessioned2018-09-21 23:55
dc.date.accessioned2019-12-10 14:46:32
dc.date.accessioned2020-04-01T12:22:46Z
dc.date.available2020-04-01T12:22:46Z
dc.date.issued2018
dc.identifier1001514
dc.identifierOCN: 1041854170en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/28445
dc.description.abstractThis book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory.
dc.languageEnglish
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticismen_US
dc.subject.otherRohmer
dc.subject.otherauteurs
dc.subject.otherSartre
dc.subject.otherKant
dc.subject.othercriticism
dc.titleEric Rohmer's Film Theory (1948-1953)
dc.typebook
oapen.identifier.doi10.5117/9789462985803
oapen.relation.isPublishedBydd3d1a33-0ac2-4cfe-a101-355ae1bd857a
oapen.relation.isbn9789462985803; 9789048537037
oapen.redirect1005711
oapen.identifier.ocn1041854170


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