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dc.contributor.authorvan Maanen, Hans
dc.date.accessioned2010-12-31 23:55:55
dc.date.accessioned2019-12-10 14:46:32
dc.date.accessioned2020-04-01T15:39:01Z
dc.date.available2020-04-01T15:39:01Z
dc.date.issued2009
dc.identifier339994
dc.identifierOCN: 601055275en_US
dc.identifier995249273en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/35329
dc.description.abstractThis necessary and thought-provoking study brings together the organisational side of the world of the arts and the understanding of the many functions art fulfi lls in our culture. The author sets out to establish how the organisation of art worlds serves the functioning of the arts in society. The book is divided into three sections, the first of which presents a comparative study of approaches to the art world as practiced by Dickie, Becker, Bourdieu, Heinich, and Luhmann, among others. The second part focuses on the philosphical debates concerning 'aesthetic experience'. Besides Kant, scholars such as Gadamer, Foster, Shustermann, Schaeffer and Carroll come to the fore. In the third part, the author traces the consequences of these theoretical approaches for the organization of art world practices.
dc.languageEnglish
dc.subject.classificationthema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of arten_US
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of arten_US
dc.subject.otherkunst en kunstgeschiedenis
dc.subject.otherhistorical treatment of fine and decorative arts
dc.titleHow to Study Art Worlds
dc.title.alternativeOn the Societal Functioning of aesthetic Values
dc.typebook
oapen.abstract.otherlanguageIn deze studie onderzoekt Hans van Maanen hoe de organisatie van kunstwerelden het functioneren van kunst in de maatschappij ondersteunt en mogelijk maakt. Hij bespreekt en vergelijkt verschillende benaderingen (van Dickie, Becker, Bourdieu, Heinich en anderen) op de kunstwereld. Vervolgens gaat hij in op het kunstfi losofi - sche debat en vooral de notie van de 'esthetische ervaring'. Naast Kant komen academici als Gadamer, Foster, Shustermann, Schaeffer en Carroll aan bod. Tot slot bespreekt hij de theoretische benaderingen in een praktischer kader. Zo wordt het belang hiervan voor de kunstwereld duidelijk.
oapen.identifier.doi10.5117/9789089641526
oapen.relation.isPublishedBydd3d1a33-0ac2-4cfe-a101-355ae1bd857a
oapen.relation.isbn9789089641526
oapen.pages312
oapen.identifier.ocn601055275
oapen.identifier.ocn995249273


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