TY  - CHAP
AU  - Kockel, Ullrich
AU  - Craith, Máiréad Nic
AU  - Clopot, Cristina
AU  - Tjarve, Baiba
AB  - Traditional arts practices and festivals have attracted increasing and diverse  attention in the European context since policymakers discovered ‘culture’ as a  resource in the 1980s (see, e.g., Kilday 1998 ). Their impact on their respective  communities of practice, modes of production and exchange value in contemporary  European society is under the spotlight from various angles within the  newly emerged fi eld of ‘festival studies’, which is deeply connected to policy  issues (Frost 2016 ). However, much of this interest is instrumentally concerned  with revenue potential, leaving key concepts, such as heritage, identity and  indeed Europe, defi ned in rather vague and often contradictory terms (Kockel,  Nic Craith and Frykman 2012 ; Logan, Kockel and Nic Craith 2015 ; K ø lvraa  2016 ; L ä hdesm ä ki 2016 ; Whitehead and Bozo ğ lu 2017 ). Moreover, the number  and range of events labelled as ‘festival’ is growing (Frost 2016 : 569), requiring  a broader perspective on performances of heritage and identity.
ID  - OAPEN ID: 1006294
ID  - OAPEN ID: OCN: 1135854612
KW  - Heritages
KW  - identities
KW  - Europe
L1  - https://library.oapen.org/bitstream/id/617a4fc9-9edd-40b5-a9ef-8bfcf2788095/9780367186760_oachapter1.pdf
LA  - English
LK  - http://library.oapen.org/handle/20.500.12657/23844
PB  - Taylor & Francis
PY  - 2019
SN  - 9780429202964
TI  - Chapter 1 Heritages, identities and Europe : Exploring cultural forms and expressions
ER  - 
