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Subjectivity
Filmic Representation and the Spectator's Experience
Contributor(s)
Chateau, Dominique (editor)
Collection
Dutch Research Council (NWO)Language
EnglishAbstract
Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium.
Keywords
subjectivity; nouvelle vague; Consciousness; Duchy of Münsterberg; Point-of-view shot; Robert BressonDOI
10.26530/OAPEN_605864ISBN
9789089643179, 9789048514205OCN
1030822965Publisher
Amsterdam University PressPublisher website
https://www.aup.nl/Publication date and place
2011Series
The Key Debates: Mutations and Appropriations in European Film Studies, 2Classification
Film history, theory or criticism