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dc.contributor.editorDogramaci, Burcu
dc.contributor.editorHetschold, Mareike
dc.contributor.editorKarp Lugo, Laura
dc.contributor.editorLee, Rachel
dc.contributor.editorRoth, Helene
dc.date.accessioned2021-10-19T05:31:15Z
dc.date.available2021-10-19T05:31:15Z
dc.date.issued2020
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/51070
dc.description.abstractThe impact of migrating artists on modern art Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice, and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities became hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six major cities as a starting point — Bombay (now Mumbai), Buenos Aires, Istanbul, London, New York, and Shanghai — the authors explore how urban topographies and landscapes were modified by exiled artists re-establishing their practices in these and other metropolises across the world. Questioning the established canon of Western modernism, Arrival Cities investigates how the migration of artists to different urban spaces impacted their work and the historiography of art. In doing so, it aims to encourage the discussion between scholars from different research fields, such as exile studies, art history, architectural history, design history, urban studies, and history. Contributors: Brian Bockelman (Ripon College), Laura Bohnenblust (Universität Bern), Margarida Brito Alves (IHA-FCSH / Universidade Nova de Lisboa), Rafael Cardoso (Universidade do Estado do Rio de Janeiro), Katarzyna Cytlak (Centro de Estudios de los Mundos Eslavos y Chinos-Universidad Nacional de San Martín), Rachel Dickson (Ben Uri Gallery and Museum), Burcu Dogramaci (Ludwig-Maximilians-Universität), Margit Franz (Karl-Franzens-Universität Graz), Ya'ara Gil-Glazer (Tel-Hai Academic College), Mareike Hetschold (Ludwig-Maximilians-Universität), Frauke Josenhans (Yale University Art Gallery), Daniela Kern (Universidade Federal do Rio Grande do Sul), Laura Karp Lugo (Ludwig-Maximilians-Universität), Eduard Kögel (Independent scholar, Berlin), Giulia Lamoni (IHA-FCSH / Universidade Nova de Lisboa), Rachel Lee (Ludwig-Maximilians-Universität), Sarah MacDougall (Ben Uri Gallery and Museum), Kathryn Milligan (University College Dublin), Partha Mitter (University of Sussex), Helene Roth (Ludwig-Maximilians-Universität), Elana Shapira (Universität für Angewandte Kunst), Cristiana Tejo (Universidade Nova de Lisboa), Joseph L. Underwood (Kent State University), Elvan Zabunyan (Université Rennes 2)
dc.languageEnglish
dc.subject.classificationbic Book Industry Communication::A The arts::AC History of art / art & design styles
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFN Migration, immigration & emigration
dc.subject.otherArt
dc.subject.otherHistory
dc.subject.otherSocial Science
dc.subject.otherEmigration & Immigration
dc.titleArrival Cities
dc.title.alternativeMigrating Artists and New Metropolitan Topographies in the 20th Century
dc.typebook
oapen.identifier.doihttps://doi.org/10.11116/9789461663245
oapen.relation.isPublishedBy91436d3b-fb9a-45e9-8a57-08708b92dcda
oapen.relation.isFundedBy608fbdcb-bd0a-4d50-9a26-902224692f76
oapen.relation.isFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
oapen.collectionKnowledge Unlatched (KU)
oapen.imprintLeuven University Press
oapen.identifierhttps://openresearchlibrary.org/viewer/c3e53310-81d3-45b0-9f6a-ed598c007147
oapen.identifier.isbn9789461663245


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