Decoding Digital Culture with Science Fiction
Hyper-Modernism, Hyperreality, and Posthumanism
dc.contributor.author | Shapiro, Alan N. | |
dc.date.accessioned | 2024-07-16T14:53:56Z | |
dc.date.available | 2024-07-16T14:53:56Z | |
dc.date.issued | 2024 | |
dc.identifier | ONIX_20240716_9783839472422_34 | |
dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/92281 | |
dc.description.abstract | How do digital media technologies affect society and our lives? Through the cultural theory hypotheses of hyper-modernism, hyperreality, and posthumanism, Alan N. Shapiro investigates the social impact of Virtual/Augmented Reality, AI, social media platforms, robots, and the Brain-Computer Interface. His examination of concepts of Jean Baudrillard and Katherine Hayles, as well as films such as Blade Runner 2049, Ghost in the Shell, Ex Machina, and the TV series Black Mirror, suggests that the boundary between science fiction narratives and the »real world« has become indistinct. Science-fictional thinking should be advanced as a principal mode of knowledge for grasping the world and digitalization. | |
dc.language | English | |
dc.relation.ispartofseries | Digitale Gesellschaft | |
dc.subject.classification | thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies | |
dc.subject.classification | thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies | |
dc.subject.classification | thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies::JBCT1 Media studies: internet, digital media and society | |
dc.subject.other | Science Fiction | |
dc.subject.other | Media Theory | |
dc.subject.other | Posthumanism | |
dc.subject.other | Creative Coding | |
dc.subject.other | Digital Cuture | |
dc.subject.other | Marxism | |
dc.subject.other | Critical Theory | |
dc.subject.other | Media | |
dc.subject.other | Culture | |
dc.subject.other | Film | |
dc.subject.other | Cultural Theory | |
dc.subject.other | Digital Media | |
dc.subject.other | Media Studies | |
dc.title | Decoding Digital Culture with Science Fiction | |
dc.title.alternative | Hyper-Modernism, Hyperreality, and Posthumanism | |
dc.type | book | |
oapen.identifier.doi | 10.14361/9783839472422 | |
oapen.relation.isPublishedBy | b30a6210-768f-42e6-bb84-0e6306590b5c | |
oapen.relation.isbn | 9783839472422 | |
oapen.relation.isbn | 9783837672428 | |
oapen.imprint | transcript Verlag | |
oapen.series.number | 67 | |
oapen.pages | 374 | |
oapen.place.publication | Bielefeld |