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        Virtual Works – Actual Things

        Essays in Music Ontology

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        Author(s)
        Goehr, Lydia
        Davie, David
        Kiloh, Kathy
        McNulty, Jake
        Hindrichs, Gunnar
        Rink, John
        Contributor(s)
        de Assis , Paulo (editor)
        Collection
        European Research Council (ERC); EU collection
        Language
        English
        Show full item record
        Abstract
        "Beyond musical works: new perspectives on music ontology and performance What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised? Virtual Works – Actual Things addresses contemporary music ontological discourses, challenging dominant musicological accounts, questioning their authoritative foundation and moving towards dynamic perspectives devised by music practitioners and artist researchers. Specific attention is given to the relationship between the virtual multiplicities that enable the construction of an image of a musical work and the actual, concrete materials that make such a construction possible. With contributions by prominent scholars, this book is a wide-ranging and fascinating collection of essays, which will be of great interest for artistic research, contemporary musicology, music philosophy, performance studies and music pedagogy alike. Contributors: David Davies (McGill University, Montreal), Andreas Dorschel (University of the Arts Graz), Lydia Goehr (Columbia University, New York), Kathy Kiloh (OCAD University, Toronto), Jake McNulty (Columbia University, New York), Gunnar Hindrichs (University of Basel), John Rink (University of Cambridge)"
        URI
        http://library.oapen.org/handle/20.500.12657/29717
        Keywords
        music performance; artistic research; music ontology; Aesthetics; Gilles Deleuze; Musical composition; Paradigm; Theodor W. Adorno
        DOI
        10.26530/OAPEN_1000227
        ISBN
        9789462701403; 9789461662521
        OCN
        1076700638
        Publisher
        Leuven University Press
        Publisher website
        https://lup.be/
        Publication date and place
        Leuven, 2018
        Grantor
        • FP7 Ideas: European Research Council - 313419 - MUSICEXPERIMENT21 - FP7 SC39 Research grant informationFind all documents
        Series
        Orpheus Institute Series,
        Classification
        Theory of music and musicology
        Pages
        208
        Public remark
        Relevant Wikipedia pages: Aesthetics - https://en.wikipedia.org/wiki/Aesthetics; Gilles Deleuze - https://en.wikipedia.org/wiki/Gilles_Deleuze; Music - https://en.wikipedia.org/wiki/Music; Musical composition - https://en.wikipedia.org/wiki/Musical_composition; Ontology - https://en.wikipedia.org/wiki/Ontology; Paradigm - https://en.wikipedia.org/wiki/Paradigm; Performance - https://en.wikipedia.org/wiki/Performance; Theodor W. Adorno - https://en.wikipedia.org/wiki/Theodor_W._Adorno
        Rights
        http://creativecommons.org/licenses/by-nc-nd/4.0
        • Imported or submitted locally

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        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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