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dc.contributor.editorFürnkranz, Magdalena
dc.contributor.editorGiannini, Juri
dc.date.accessioned2025-05-01T12:58:51Z
dc.date.available2025-05-01T12:58:51Z
dc.date.issued2024
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/101229
dc.description.abstractThis volume explores different aspects of the yet uncanonised disco culture that thrived in Yugoslavia from the late 1970s until the early 1980s. Yugoslav disco culture points to the many issues and dilemmas at the heart of late socialism: With funk pioneers and Estrada emulators, gender transgressors and male chauvinists, affluent clubbers and Roma dancers, mainstream promoters and hostile critics, disco resists the polarizing definitions of conformist or progressive, official or subcultural, repression or dissent. Operating within gray zones, it highlights the inadequacy of the outdated binary matrix typically used for the interpretation of popular culture under socialism.en_US
dc.languageEnglishen_US
dc.relation.ispartofseriesTheMA - Open Access Research Journal for Theatre, Music, Artsen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studiesen_US
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of arten_US
dc.subject.otheryugoslav disco, music, musical culture, late socialismen_US
dc.titleTheMA - Open Access Research Journal for Theatre, Music, Artsen_US
dc.title.alternativeYugoslavian Disco. Digging into an “Excluded” Musical Culture of Late Socialism, Vol. X/2024en_US
dc.typebook
oapen.relation.isPublishedByce271625-6bb4-4b64-9507-0d962a5d675een_US
oapen.relation.isbn9783990941805en_US
oapen.series.numberX/2024en_US
oapen.pages118en_US
oapen.remark.publicFunder name: mdw-Universität für Musik und darstellende Kunst Wien


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