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dc.contributor.authorConor, Bridget
dc.date.accessioned2025-05-26T07:15:45Z
dc.date.available2025-05-26T07:15:45Z
dc.date.issued2014
dc.identifierONIX_20250526T085745_9781136169496_7
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/102567
dc.description.abstractScreenwriting: Creative Labor and Professional Practice analyzes the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Author Bridget Conor considers the ways in which contemporary screenwriters navigate and make sense of the labor markets in which they are immersed. Chapters explore areas including: Screenwriting histories and myths of the profession Screenwriting as creative labor Screenwriters’ working lives Screenwriting work and the how-to genre Screenwriting work and inequalities Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as valuable interviews with working screenwriters, this book presents a highly original and multi-faceted study of screenwriting as creative labor and professional practice. The Open Access version of this book, available at www.taylorandfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 license.https://www.taylorfrancis.com/books/9780203080771
dc.languageEnglish
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFD Film scripts and screenplays
dc.subject.classificationthema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History
dc.subject.otherScreenwriting Work
dc.subject.otherScreenwriting
dc.subject.otherUK Film
dc.subject.otherScriptwriting
dc.subject.otherYoung Men
dc.subject.otherFilm Studies
dc.subject.otherUK Film Council
dc.subject.otherCreative Industries
dc.subject.otherUK Film Industry
dc.subject.otherCultural Industries
dc.subject.otherUK Box Office
dc.subject.otherCreative Labour
dc.subject.otherScreenwriting Manuals
dc.subject.otherScreenwriter
dc.subject.otherScreenwriting Labor
dc.subject.otherScreen Production Industries
dc.subject.otherBridget Conor
dc.subject.otherUK Industry
dc.subject.otherMedia Industries
dc.subject.otherCreative Labor
dc.subject.otherMedia Studies
dc.subject.otherWriters Guild
dc.subject.otherscreenwriting histories
dc.subject.otherScreen Production
dc.subject.otherinequalities
dc.subject.otherWomen Screenwriters
dc.subject.otherCinematic Authorship
dc.subject.otherScript Editor
dc.subject.otherIndustrial Reflexivity
dc.titleScreenwriting
dc.title.alternativeCreative Labor and Professional Practice
dc.typebook
oapen.identifier.doi10.4324/9780203080771
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb
oapen.relation.isFundedBy9b71eaf1-4f52-4fbd-b226-ccde33844eb6
oapen.relation.isbn9781136169496
oapen.relation.isbn9780203080771
oapen.relation.isbn9781136169489
oapen.relation.isbn9780415642675
oapen.relation.isbn9780415642651
oapen.relation.isbn9781136169441
oapen.imprintRoutledge
oapen.pages164
oapen.place.publicationOxford
oapen.grant.number[...]
oapen.identifier.ocn877868334
peerreview.anonymitySingle-anonymised
peerreview.idbc80075c-96cc-4740-a9f3-a234bc2598f1
peerreview.open.reviewNo
peerreview.publish.responsibilityPublisher
peerreview.review.stagePre-publication
peerreview.review.typeProposal
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.titleProposal review
oapen.review.commentsTaylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required).


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