Screenwriting
Proposal review
Creative Labor and Professional Practice
dc.contributor.author | Conor, Bridget | |
dc.date.accessioned | 2025-05-26T07:15:45Z | |
dc.date.available | 2025-05-26T07:15:45Z | |
dc.date.issued | 2014 | |
dc.identifier | ONIX_20250526T085745_9781136169496_7 | |
dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/102567 | |
dc.description.abstract | Screenwriting: Creative Labor and Professional Practice analyzes the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Author Bridget Conor considers the ways in which contemporary screenwriters navigate and make sense of the labor markets in which they are immersed. Chapters explore areas including: Screenwriting histories and myths of the profession Screenwriting as creative labor Screenwriters’ working lives Screenwriting work and the how-to genre Screenwriting work and inequalities Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as valuable interviews with working screenwriters, this book presents a highly original and multi-faceted study of screenwriting as creative labor and professional practice. The Open Access version of this book, available at www.taylorandfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 license.https://www.taylorfrancis.com/books/9780203080771 | |
dc.language | English | |
dc.subject.classification | thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies | |
dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFD Film scripts and screenplays | |
dc.subject.classification | thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries | |
dc.subject.classification | thema EDItEUR::N History and Archaeology::NH History | |
dc.subject.other | Screenwriting Work | |
dc.subject.other | Screenwriting | |
dc.subject.other | UK Film | |
dc.subject.other | Scriptwriting | |
dc.subject.other | Young Men | |
dc.subject.other | Film Studies | |
dc.subject.other | UK Film Council | |
dc.subject.other | Creative Industries | |
dc.subject.other | UK Film Industry | |
dc.subject.other | Cultural Industries | |
dc.subject.other | UK Box Office | |
dc.subject.other | Creative Labour | |
dc.subject.other | Screenwriting Manuals | |
dc.subject.other | Screenwriter | |
dc.subject.other | Screenwriting Labor | |
dc.subject.other | Screen Production Industries | |
dc.subject.other | Bridget Conor | |
dc.subject.other | UK Industry | |
dc.subject.other | Media Industries | |
dc.subject.other | Creative Labor | |
dc.subject.other | Media Studies | |
dc.subject.other | Writers Guild | |
dc.subject.other | screenwriting histories | |
dc.subject.other | Screen Production | |
dc.subject.other | inequalities | |
dc.subject.other | Women Screenwriters | |
dc.subject.other | Cinematic Authorship | |
dc.subject.other | Script Editor | |
dc.subject.other | Industrial Reflexivity | |
dc.title | Screenwriting | |
dc.title.alternative | Creative Labor and Professional Practice | |
dc.type | book | |
oapen.identifier.doi | 10.4324/9780203080771 | |
oapen.relation.isPublishedBy | 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb | |
oapen.relation.isFundedBy | 9b71eaf1-4f52-4fbd-b226-ccde33844eb6 | |
oapen.relation.isbn | 9781136169496 | |
oapen.relation.isbn | 9780203080771 | |
oapen.relation.isbn | 9781136169489 | |
oapen.relation.isbn | 9780415642675 | |
oapen.relation.isbn | 9780415642651 | |
oapen.relation.isbn | 9781136169441 | |
oapen.imprint | Routledge | |
oapen.pages | 164 | |
oapen.place.publication | Oxford | |
oapen.grant.number | [...] | |
oapen.identifier.ocn | 877868334 | |
peerreview.anonymity | Single-anonymised | |
peerreview.id | bc80075c-96cc-4740-a9f3-a234bc2598f1 | |
peerreview.open.review | No | |
peerreview.publish.responsibility | Publisher | |
peerreview.review.stage | Pre-publication | |
peerreview.review.type | Proposal | |
peerreview.reviewer.type | Internal editor | |
peerreview.reviewer.type | External peer reviewer | |
peerreview.title | Proposal review | |
oapen.review.comments | Taylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required). |