Art, Research, Philosophy
Proposal review
| dc.contributor.author | Cazeaux, Clive | |
| dc.date.accessioned | 2025-05-28T08:19:43Z | |
| dc.date.available | 2025-05-28T08:19:43Z | |
| dc.date.issued | 2017 | |
| dc.identifier | ONIX_20250528T101339_9781317654827_3 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/102848 | |
| dc.description.abstract | Art, Research, Philosophy explores the emergent field of artistic research: art produced as a contribution to knowledge. As a new subject, it raises several questions: What is art-as-research? Don’t the requirements of research amount to an imposition on the artistic process that dilutes the power of art? How can something subjective become objective? What is the relationship between art and writing? Doesn’t description always miss the particularity of the artwork? This is the first book-length study to show how ideas in philosophy can be applied to artistic research to answer its questions and to make proposals for its future. Clive Cazeaux argues that artistic research is an exciting development in the historical debate between aesthetics and the theory of knowledge. The book draws upon Kant, phenomenology and critical theory to show how the immediacies of art and experience are enmeshed in the structures that create knowledge. The power of art to act on these structures is illustrated through a series of studies that look closely at a number of contemporary artworks. This book will be ideal for postgraduate students and scholars of the visual and creative arts, aesthetics and art theory. The Open Access version of this book, available at www.taylorandfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 license.https://www.taylorfrancis.com/books/9781315764610 | |
| dc.language | English | |
| dc.subject.classification | thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art | |
| dc.subject.classification | thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art | |
| dc.subject.classification | thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics | |
| dc.subject.other | Arts Based Research | |
| dc.subject.other | Philosophy of Art | |
| dc.subject.other | DVD Projection | |
| dc.subject.other | Fine Arts PhD | |
| dc.subject.other | Fine Art Research | |
| dc.subject.other | Arts Research | |
| dc.subject.other | Vija Celmins | |
| dc.subject.other | Practice as Research | |
| dc.subject.other | Western Research Ethic | |
| dc.subject.other | UK’s Art | |
| dc.subject.other | Primary Secondary Qualities Distinction | |
| dc.subject.other | Familiar Referents | |
| dc.subject.other | Broken Implements | |
| dc.subject.other | Arts Based Research Projects | |
| dc.subject.other | Artistic Research | |
| dc.subject.other | Vice Versa | |
| dc.subject.other | Mis Interpretation | |
| dc.subject.other | Kant’s Critical System | |
| dc.subject.other | Atlas Group | |
| dc.subject.other | Epistemic Thing | |
| dc.subject.other | White A4 Paper | |
| dc.subject.other | Nineteenth Century German Idealism | |
| dc.subject.other | Dark Light Transition | |
| dc.subject.other | Lego Bricks | |
| dc.subject.other | Contextualized Novelty | |
| dc.subject.other | Black’s Sculptures | |
| dc.title | Art, Research, Philosophy | |
| dc.type | book | |
| oapen.identifier.doi | 10.4324/9781315764610 | |
| oapen.relation.isPublishedBy | 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb | |
| oapen.relation.isFundedBy | dd7dd8ec-af65-4882-b828-0369286c7b65 | |
| oapen.relation.isbn | 9781317654827 | |
| oapen.relation.isbn | 9781317654810 | |
| oapen.relation.isbn | 9781138789784 | |
| oapen.relation.isbn | 9781317654803 | |
| oapen.relation.isbn | 9781315764610 | |
| oapen.relation.isbn | 9781138789777 | |
| oapen.imprint | Routledge | |
| oapen.pages | 202 | |
| oapen.place.publication | Oxford | |
| oapen.grant.number | [...] | |
| oapen.identifier.ocn | 982187645 | |
| peerreview.anonymity | Single-anonymised | |
| peerreview.id | bc80075c-96cc-4740-a9f3-a234bc2598f1 | |
| peerreview.open.review | No | |
| peerreview.publish.responsibility | Publisher | |
| peerreview.review.stage | Pre-publication | |
| peerreview.review.type | Proposal | |
| peerreview.reviewer.type | Internal editor | |
| peerreview.reviewer.type | External peer reviewer | |
| peerreview.title | Proposal review | |
| oapen.review.comments | Taylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required). |

