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dc.contributor.editorLi, Qiao
dc.contributor.editorGuan, Yanqiu
dc.contributor.editorLu, Hong
dc.date.accessioned2025-05-28T08:20:52Z
dc.date.available2025-05-28T08:20:52Z
dc.date.issued2020
dc.identifierONIX_20250528T101339_9781000092349_19
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/102874
dc.description.abstractThe global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional production companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a "big picture" view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated development of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world.
dc.languageEnglish
dc.relation.ispartofseriesChina Perspectives
dc.subject.classificationthema EDItEUR::A The Arts::AB The arts: general topics
dc.subject.classificationthema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTC Film, TV and Radio industries
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History
dc.subject.otherWolf Warriors
dc.subject.otheranimation
dc.subject.otherS Box
dc.subject.otherglobal film industry
dc.subject.otherChinese Animation
dc.subject.otherNetflix
dc.subject.otherTotal Box Office
dc.subject.otherChinese Film
dc.subject.otherSouth Korean Film Industry
dc.subject.otherChinese Film Industry
dc.subject.otherCapita GNI
dc.subject.otherChinese Film Market
dc.subject.otherBox Office Champion
dc.subject.otherGlobal Box Office
dc.subject.otherChinese National Cinema
dc.subject.otherChina’s Film Industry
dc.subject.otherAnimation Films
dc.subject.otherSouth Korean Cinema
dc.subject.otherEuropean Film Market
dc.subject.otherFourth Tier Cities
dc.subject.otherDomestic Films
dc.subject.otherChina’s Box Office
dc.subject.otherDomestic Box Office
dc.subject.otherFilm Production Companies
dc.subject.otherBox Office Revenue
dc.subject.otherArt House Films
dc.subject.otherUK Box Office
dc.titleDevelopment of the Global Film Industry
dc.title.alternativeIndustrial Competition and Cooperation in the Context of Globalization
dc.typebook
oapen.identifier.doi10.4324/9781003051503
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb
oapen.relation.isFundedBy274e2b13-c99b-405f-ae7d-f2cc1d730540
oapen.relation.isbn9781000092349
oapen.relation.isbn9781000092424
oapen.relation.isbn9780367508234
oapen.relation.isbn9780367508432
oapen.relation.isbn9781003051503
oapen.relation.isbn9781000092387
oapen.imprintRoutledge
oapen.pages270
oapen.place.publicationOxford
oapen.grant.number[...]
oapen.identifier.ocn1147961300
peerreview.anonymitySingle-anonymised
peerreview.idbc80075c-96cc-4740-a9f3-a234bc2598f1
peerreview.open.reviewNo
peerreview.publish.responsibilityPublisher
peerreview.review.stagePre-publication
peerreview.review.typeProposal
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.titleProposal review
oapen.review.commentsTaylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required).


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