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dc.contributor.authorPietro De Marchi
dc.date.accessioned2025-08-01T15:49:59Z
dc.date.available2025-08-01T15:49:59Z
dc.date.issued2024
dc.identifierONIX_20250801T173835_9791221505658_156
dc.identifier.issn2420-8361
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/104706
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.subject.otherInteractions of comic and tragic
dc.subject.otherPomo pero
dc.subject.otherRhythm
dc.subject.otherStyle
dc.titleChapter «…in una lingua “scritta”». Stile, ritmi, registri in Pomo pero
dc.typechapter*
oapen.abstract.otherlanguageLuigi Meneghello claimed that with Pomo pero (1974) he had gone further, stylistically, than in his previous books. The contribution focuses on some aspects of Pomo pero’s style (especially rhythm) and then on the alternation or, rather, co-presence of the comic-humorous register and the serious or tragic in a chapter of the second part of the book.
oapen.identifier.doi10.36253/979-12-215-0565-8.19
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9791221505658
oapen.series.number77
oapen.pages12
oapen.place.publicationFlorence


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