Chapter «Quanto ci vuole per descrivere un gesto?». Luigi Meneghello e la parola che de-scrive
| dc.contributor.author | Salvadori, Diego | |
| dc.date.accessioned | 2025-08-01T15:50:11Z | |
| dc.date.available | 2025-08-01T15:50:11Z | |
| dc.date.issued | 2024 | |
| dc.identifier | ONIX_20250801T173835_9791221505658_160 | |
| dc.identifier.issn | 2420-8361 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/104710 | |
| dc.language | Italian | |
| dc.relation.ispartofseries | Biblioteca di Studi di Filologia Moderna | |
| dc.subject.other | Description | |
| dc.subject.other | Luigi Meneghello | |
| dc.subject.other | I piccoli maestri | |
| dc.subject.other | Libera nos a malo | |
| dc.subject.other | Narratology | |
| dc.title | Chapter «Quanto ci vuole per descrivere un gesto?». Luigi Meneghello e la parola che de-scrive | |
| dc.type | chapter | * |
| oapen.abstract.otherlanguage | This article delves into Luigi Meneghello’s authorial perspective on description, exploring how his unique approach shapes narrative and character. By examining key excerpts, the essay highlights Meneghello’s intricate use of language and imagery, revealing the interplay between the concrete and the abstract in his work. It argues that his descriptive style not only enhances the emotional resonance of his narratives but also invites readers to engage more deeply with the text. Through a detailed stylistic analysis, the article aims to illuminate the underlying principles that govern Meneghello’s descriptive technique, offering new insights into his literary contributions. | |
| oapen.identifier.doi | 10.36253/979-12-215-0565-8.21 | |
| oapen.relation.isPublishedBy | bf65d21a-78e5-4ba2-983a-dbfa90962870 | |
| oapen.relation.isbn | 9791221505658 | |
| oapen.series.number | 77 | |
| oapen.pages | 9 | |
| oapen.place.publication | Florence |
