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dc.contributor.authorPellegrini, Ernestina
dc.date.accessioned2025-08-01T15:50:50Z
dc.date.available2025-08-01T15:50:50Z
dc.date.issued2024
dc.identifierONIX_20250801T173835_9791221505658_173
dc.identifier.issn2420-8361
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/104723
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.subject.otherChildhood
dc.subject.otherFascism
dc.subject.otherLiterature
dc.subject.otherMusic
dc.subject.otherSound
dc.titleChapter Il corpo fonico di Libera nos a malo
dc.typechapter*
oapen.abstract.otherlanguageStarting with the most recent theoretical studies in the Anglo-Saxon world on relationships between Sound and Literature, this essay reconstructs the presence and function of the phonic corpus (music, nursery rhymes, jingles, noises, etc.) in Luigi Meneghello’s novel Libera nos a malo.
oapen.identifier.doi10.36253/979-12-215-0565-8.15
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9791221505658
oapen.series.number77
oapen.pages11
oapen.place.publicationFlorence


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