Skandale um die Zensur
Theater und Öffentlichkeit in München (1919–1929)
| dc.contributor.author | Kanthak, Sabrina | |
| dc.date.accessioned | 2025-08-22T10:06:30Z | |
| dc.date.available | 2025-08-22T10:06:30Z | |
| dc.date.issued | 2025 | |
| dc.identifier | ONIX_20250822T115951_9783111458946_7 | |
| dc.identifier.issn | 2749-8913 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/105612 | |
| dc.language | German | |
| dc.relation.ispartofseries | Vigilanzkulturen / Cultures of Vigilance | |
| dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies | |
| dc.subject.other | Theater | |
| dc.subject.other | censorship | |
| dc.subject.other | spectators | |
| dc.subject.other | critique | |
| dc.subject.other | freedom of art | |
| dc.title | Skandale um die Zensur | |
| dc.title.alternative | Theater und Öffentlichkeit in München (1919–1929) | |
| dc.type | book | |
| oapen.abstract.otherlanguage | Theater censorship was legally abolished during the turbulent transition from the German Empire to the Weimar Republic in 1919, after which theater productions were accompanied by unusually frequent scandals. This study looks at examples of theater scandals in Munich, asking to what extent "unofficial censorship" continued in the form of disruptions to and the banning of productions, and what role the public sphere played in this. | |
| oapen.identifier.doi | 10.1515/9783111458946 | |
| oapen.relation.isPublishedBy | 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 | |
| oapen.relation.isFundedBy | 3358520f-7ab2-42ab-80ef-88a2dbe6a901 | |
| oapen.relation.isbn | 9783111458946 | |
| oapen.relation.isbn | 9783111456430 | |
| oapen.relation.isbn | 9783111461250 | |
| oapen.collection | DFG - German Research Foundation | * |
| oapen.imprint | De Gruyter | |
| oapen.series.number | 14 | |
| oapen.pages | 8 | |
| oapen.place.publication | Berlin/Boston | |
| oapen.grant.number | 394775490 |
