Grenzen der Künste im digitalen Zeitalter
Künstlerische Praktiken – Ästhetische Formen – Hermeneutische Verfahren
| dc.contributor.editor | Marlene Meuer, Anne | |
| dc.contributor.editor | Hegenbart, Sarah | |
| dc.contributor.editor | Kersten, Markus | |
| dc.date.accessioned | 2025-08-22T10:08:19Z | |
| dc.date.available | 2025-08-22T10:08:19Z | |
| dc.date.issued | 2025 | |
| dc.identifier | ONIX_20250822T115951_9783111398518_37 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/105657 | |
| dc.language | German | |
| dc.subject.classification | thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPQ Later 20th century c 1950 to c 1999 | |
| dc.subject.classification | thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050 | |
| dc.subject.classification | thema EDItEUR::6 Style qualifiers::6C Styles (C)::6CJ Computer art | |
| dc.subject.classification | thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles | |
| dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATN Internet and digital media: arts and performance | |
| dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies | |
| dc.subject.classification | thema EDItEUR::U Computing and Information Technology::UB Information technology: general topics::UBB History of Computing, digital and information technologies | |
| dc.subject.other | Digital literature | |
| dc.subject.other | digital art forms | |
| dc.subject.other | digital cultures | |
| dc.subject.other | digital hermeneutics | |
| dc.title | Grenzen der Künste im digitalen Zeitalter | |
| dc.title.alternative | Künstlerische Praktiken – Ästhetische Formen – Hermeneutische Verfahren | |
| dc.type | book | |
| oapen.abstract.otherlanguage | This volumes not only asks to what extent both artistic forms and the constellations of their production and reception have changed with digitalization but is also especially interested in reflections on liminal experiences and the crossing of boundaries. It takes a range of perspectives to discuss whether the arts are being confined or opened up by digital techniques, and what this means for the art of interpretation. | |
| oapen.identifier.doi | 10.1515/9783111398518 | |
| oapen.relation.isPublishedBy | 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 | |
| oapen.relation.isFundedBy | bbc9c6c9-17de-4021-9b46-4adf15a72023 | |
| oapen.relation.isbn | 9783111398518 | |
| oapen.relation.isbn | 9783111397481 | |
| oapen.relation.isbn | 9783111399126 | |
| oapen.imprint | De Gruyter | |
| oapen.pages | 262 | |
| oapen.place.publication | Berlin/Boston | |
| oapen.grant.number | [...] |

