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Chapter Teatro barocco italiano. Paradigmi della scena e della memoria culturale

dc.contributor.authorCiammaichella, Massimiliano
dc.contributor.authorValenti, Graziano
dc.date.accessioned2025-11-27T09:31:28Z
dc.date.available2025-11-27T09:31:28Z
dc.date.issued2025
dc.identifierONIX_20251127T102658_9788835182412_61
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/108611
dc.languageItalian
dc.languageEnglish
dc.languageSpanish
dc.relation.ispartofseriesdiségno
dc.subject.classificationthema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design
dc.subject.classificationthema EDItEUR::U Computing and Information Technology::UY Computer science::UYQ Artificial intelligence
dc.subject.classificationthema EDItEUR::A The Arts::AK Design, Industrial and commercial arts, illustration::AKC Graphic design
dc.subject.classificationthema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing
dc.subject.othertangible and intangible cultural heritage
dc.subject.other3d geometric modeling
dc.subject.otherartificial intelligence ar/vr)xr
dc.subject.othervisual communication
dc.subject.otherdrawing
dc.subject.otherarchitectural survey
dc.titleChapter Teatro barocco italiano. Paradigmi della scena e della memoria culturale
dc.typechapter
oapen.abstract.otherlanguageThe here collected contributions relating to the 46th International Conference of the Representation Disciplines Teachers, organized jointly by Sapienza University of Rome, Roma Tre University, and San Raffaele Roma University, aim to offer the scientific community a reflection on the theoretical and methodological aspects related to the concept of èkphrasis, a term that, in the field of representation, concerns descriptive, analogical, and digital activities that generate new knowledge in several areas of application. The Conference aims to place at the center of the discussion an interpretation of the concept of research that, without neglecting an idea of study, protection, and enhancement of environmental and cultural heritage, focuses on the needs of contemporary society and its possible developments, making use of innovative theoretical, methodological, and operational activities, including those characterized by an interdisciplinary approach. According to this interpretation, research can also be seen as a foreshadowing of the definition and testing of experimental proposals aimed at exploring new areas of investigation: this opens up imaginative and utopian perspectives in the relationship between the sciences, the arts, and the disciplines that contribute to common goals, through the experimentation of methods, techniques, and languages for conceiving, prefiguring, designing, and representing.
oapen.identifier.doi10.3280/oa-1430-c974
oapen.relation.isPublishedBye2ddfb5e-9202-4851-8afe-1e09b020b018
oapen.relation.isPartOfBook380b63ce-4661-432f-b210-09f058b0bdf4
oapen.relation.isbn9788835182412
oapen.place.publicationMilan, Italy


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