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dc.contributor.editorOrtrud M. Hertrampf, Marina
dc.date.accessioned2026-02-25T12:17:38Z
dc.date.available2026-02-25T12:17:38Z
dc.date.issued2025
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/110099
dc.languageFrench
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSM Comparative literature
dc.subject.otherMotherhood
dc.subject.otherRelationship between mothers and children
dc.subject.otherMythologisation of the mother
dc.subject.otherAutobiography
dc.subject.otherFiction and essay
dc.subject.otherAnnie Ernaux
dc.subject.otherÉdouard Louis
dc.subject.otherMaternal self-theories
dc.subject.otherAutosociobiographical writing
dc.subject.otherAutotheoretical autobiographies
dc.subject.otherAutosociobiographical self-theories
dc.subject.otherNarrative
dc.subject.otherAutosociobiographical and autotheoretical
dc.titleAutosociobiographies et autothéories de mères
dc.typebook
oapen.abstract.otherlanguageMotherhood and the relationship between mothers and children are a recurring theme in world literature. Since the beginning of the millennium, there has been a marked increase in the number of French-language narratives that deconstruct the mythologisation of the mother, which has long prevailed in artistic representation, and present her in new literary forms that oscillate between autobiography, fiction and essay. The increase in matrifocal narratives, which can be described as autosociobiography in the sense of Annie Ernaux or as autotheory in the sense of Lauren Fournier, forms the starting point of this anthology. The case studies on French and Francophone works deal with these genres from the point of view of the staging of motherhood.
oapen.identifier.doi10.23780/9783960916598
oapen.relation.isPublishedBy3430e52c-8bfb-45f9-a490-347f0eb8a146
oapen.relation.isbn9783960916598
oapen.relation.isbn9783954772018
oapen.pages332
oapen.place.publicationMunich, Germany


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