Ozu and the Ethics of Indeterminacy
| dc.contributor.author | Miyao, Daisuke | |
| dc.date.accessioned | 2026-04-30T10:06:12Z | |
| dc.date.available | 2026-04-30T10:06:12Z | |
| dc.date.issued | 2026 | |
| dc.identifier | ONIX_20260429T161216_9781478062073_2 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/112741 | |
| dc.description.abstract | Ozu and the Ethics of Indeterminacy re-examines cinema studies through the work of Japanese filmmaker Yasujirō Ozu, employing the multiple methodologies and indeterminacy of Ozu’s films as a model for discussions of cinema’s relationship to the world and the formation of film studies as a discipline. | |
| dc.language | English | |
| dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFN Film: styles and genres | |
| dc.subject.classification | thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies | |
| dc.subject.other | Ozu Yasujiro | |
| dc.subject.other | Cinema | |
| dc.subject.other | Film studies | |
| dc.subject.other | Ethics | |
| dc.subject.other | Dialogue | |
| dc.subject.other | Japan | |
| dc.subject.other | World War II | |
| dc.subject.other | Auteurism | |
| dc.subject.other | National cinema | |
| dc.subject.other | Kiju Yoshida | |
| dc.subject.other | Emmanuel Levinas | |
| dc.subject.other | Cat | |
| dc.subject.other | Gaze | |
| dc.subject.other | Nonhuman | |
| dc.subject.other | Anthropocentrism | |
| dc.subject.other | Asian cinema | |
| dc.subject.other | Itagaki Yoichi | |
| dc.subject.other | Transcultural mimesis | |
| dc.subject.other | Great East Asia Co-prosperity Sphere | |
| dc.subject.other | Michael Raine | |
| dc.subject.other | Late Spring 1949 | |
| dc.subject.other | Cinematography | |
| dc.subject.other | Camera movement | |
| dc.subject.other | Sense of vision | |
| dc.subject.other | Tactility | |
| dc.subject.other | Depth of field | |
| dc.subject.other | Early Summer 1951 | |
| dc.subject.other | The Flavor of Green Tea over Rice 1952 | |
| dc.subject.other | Realism | |
| dc.subject.other | Melodrama | |
| dc.subject.other | Time | |
| dc.subject.other | History | |
| dc.subject.other | Postwar | |
| dc.subject.other | Tokyo Story 1953 | |
| dc.subject.other | Color films | |
| dc.subject.other | Red | |
| dc.subject.other | Bleach bypass | |
| dc.subject.other | Materiality | |
| dc.subject.other | Floating Weeds 1959 | |
| dc.subject.other | Repetition | |
| dc.subject.other | Habit | |
| dc.subject.other | Postponement | |
| dc.title | Ozu and the Ethics of Indeterminacy | |
| dc.type | book | |
| oapen.identifier.doi | 10.1215/9781478062073 | |
| oapen.relation.isPublishedBy | f0d6aaef-4159-4e01-b1ea-a7145b2ab14b | |
| oapen.relation.isFundedBy | 16fb86dc-1246-4752-9898-64a816ed3b96 | |
| oapen.relation.isbn | 9781478062073 | |
| oapen.relation.isbn | 9781478094586 | |
| oapen.relation.isbn | 9781478029878 | |
| oapen.relation.isbn | 9781478033325 | |
| oapen.pages | 290 | |
| oapen.place.publication | Durham, North Carolina, USA | |
| oapen.grant.number | [...] | |
| oapen.grant.program | Univ of California Digital Libraries |
