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dc.contributor.editorSantakari, Minna
dc.contributor.editorSeitajärvi, Juha
dc.contributor.editorLaine, Kimmo
dc.contributor.editorHupaniittu, Outi
dc.contributor.editorRömpötti, Tommi
dc.contributor.editorSeppälä, Jaakko
dc.date.accessioned2026-05-04T09:04:07Z
dc.date.available2026-05-04T09:04:07Z
dc.date.issued2026
dc.identifierONIX_20260429T161218_9789518589726_5
dc.identifier.issn0355-1768 (Print) 2670-2401 (Online)
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/112932
dc.languageFinnish
dc.relation.ispartofseriesSuomalaisen Kirjallisuuden Seuran Toimituksia
dc.subject.classificationthema EDItEUR::1 Place qualifiers::1D Europe::1DN Northern Europe, Scandinavia::1DNF Finland
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
dc.subject.classificationthema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTC Film, TV and Radio industries
dc.subject.otherFennada-Filmi
dc.subject.otherFilm history
dc.subject.otherFilm industry
dc.subject.otherFilm production
dc.subject.otherFilms
dc.subject.otherTelevision history
dc.titleUnelmatehdas Kulosaaressa
dc.title.alternativeFennada-Filmi Oy:n tarina
dc.typebook
oapen.abstract.otherlanguageThe Dream Factory in Kulosaari traces the history of Fennada-Filmi, one of the three major film production companies of Finland’s studio era. Drawing on extensive archival sources and interviews, the book provides a vivid account of post-war Finnish cinema and film culture, the filmmakers themselves, and their work at the Kulosaari studios as well as on location. Former employees recall Fennada as a more flexible, democratic, and humane workplace than the other major studios. The book argues that from the early 1950s onwards, Fennada-Filmi transformed the appearance of Finnish cinema, challenging the status quo dominated by the two traditional major studios, Suomi-Filmi and Suomen Filmiteollisuus. Fennada’s output was youthful, fast-paced and urban in spirit: its crime films were briskier in pace and more American in style than what Finnish audiences were accustomed to, while its literary adaptations, such as The Harvest Month and The Golden Calf, embraced modernist cinema with striking boldness. The epic film Here, Beneath the North Star marked the end of the studio era and the beginning of collaborative production between film companies and television.
oapen.identifier.doi10.21435/skst.1504
oapen.relation.isPublishedBy51db0f72-616d-4d86-b847-ade19380e08f
oapen.relation.isFundedBy26e7ea2b-132f-4dd1-b7f5-1a0c0c1fa548
oapen.relation.isbn9789518589726
oapen.relation.isbn9789518589702
oapen.relation.isbn9789518589719
oapen.imprintFinnish Literature Society/SKS
oapen.series.number39
oapen.pages401
oapen.place.publicationHelsinki, Finland
oapen.grant.number[...]


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