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        Ostranenie 

        Bowker, M.H. (2012)
        Ostranenie, the term for defamiliarization introduced by Russian writer and critic Victor Shklovsky, means, among other things, to see in strangeness. To see in strangeness is to participate in an illusion that is more ...
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        John Gardner: A Tiny Eulogy 

        Jourdan, Phil (2012)
        John Gardner’s career was permanently changed by his publication of On Moral Fiction (1978), a controversial and derided assessment of the state of literature as Gardner saw it. By arguing for a return to greater seriousness ...
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        The Death of Conrad Unger: Some Conjectures Regarding Parasitosis and Associated Suicide Behavior 

        Shipley, Gary L. (2012)
        The death by suicide of Gary J. Shipley’s close friend, Conrad Unger (writer, theorist and amateur entomologist), has prompted him to confront not only the cold machinery of self-erasure, but also its connections to the ...
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        Truth and Fiction: Notes on (Exceptional) Faith in Art 

        Manchevski, Milcho (2012)
        Reflecting upon his experience making his 2010 feature film Mothers, a cinematic triptych interweaving three narratives that are each, in their own way, about the often tenuous lines between truth and fiction, and one of ...
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        Suite on "Spiritus Silvestre": For Symphony 

        Ford, Denzil (2012)
        Charles D. Keeling, climate science, oceanography, music
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        Annotations to Geoffrey Hill's Speech! Speech! 

        Hassan, Ann (2012)
        Geoffrey Hill’s Speech! Speech! (2000) encapsulates two thousand years’ worth of utterances in a symbolic act of remembrance and expression of despair for the current age, in which we find “our minds and ears fouled by ...
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        Animal, Vegetable, Mineral: Ethics and Objects 

        Cohen, Jeffrey Jerome (2012)
        Animal, Mineral, Vegetable examines what happens when we cease to assume that only humans exert agency. Through a careful examination of medieval, early modern and contemporary lifeworlds, these essays collectively argue ...
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        Making the Geologic Now: Responses to Material Conditions of Contemporary Life 

        Ellsworth, Elisabeth; Kruse, Jamie (2012)
        Making the Geologic Now announces shifts in cultural sensibilities and practices. It offers early sightings of an increasingly widespread turn toward the geologic as source of explanation, motivation, and inspiration for ...
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        The Funambulist Papers 2 

        Lambert, Léopold (2015)
        This book is the second volume of texts curated specifically for The Funambulist since 2011. The editorial line of this second series of twenty-six essays is dedicated to philosophical and political questions about bodies. ...
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        thN Lng Folk 2go: Investigating Future Premoderns™ 

        Confraternity of Neoflagellants, The (2013)
        Neomedievalisms are cultural practices that breathe a bouquet of premoderns as permanent rehearsals of coming events. Where medievalists may be prone to police the post-medieval weald for inauthentic medievalisms, ...
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        Escargotesque, or, What Is Experience 

        Bowker, M.H. (2015)
        “Experience” is a concept paradoxically deployed to accentuate the aconceptual. Although thinking, knowing, reflecting, and analyzing are kinds of experiences, invocations of “experience” typically direct our attention to ...
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        The Funambulist Pamphlets 11: Cinema 

        Lambert, Léopold (2015)
        The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological ...
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        Queer Insists (for José Esteban Muñoz) 

        O'Rourke, Michael (2014)
        Queer Insists is a memorial essay, a work of mourning, written for the queer theorist and performance scholar José Esteban Muñoz (1967-2013) shortly after his untimely death in December 2013. In a series of fragments, not ...
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        [Given, If, Then]: A Reading in Three Parts 

        Fernando, Jeremy; Davy, Jennifer Hope; Hölzl, Julia (2015)
        [Given, If, Then] attempts to conceive a possibility of reading, through a set of readings: reading being understood as the relation to an Other that occurs prior to any semantic or formal identification, and, therefore, ...
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        A Boy Asleep under the Sun: Versions of Sandro Penna 

        Penna, Sandro (2014)
        Peter Valente’s first encounter with Sandro Penna’s poetry was while translating Pier Paolo Pasolini. At the time, Valente was reading a biography on Pasolini and learned of his close friendship with Penna. Pasolini insisted ...
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        Action [poems] 

        Opal, Anthony (2014)
        ACTION — as in begin, genesis, motion — is a collection of poems ultimately concerned with form, those lines drawn in the sand that give way to the profanity of the holy, the holiness of the profane. Throughout ACTION, ...
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        Lapidari 3: Images, Part II 

        Mazzi, Marco (2015)
        In June and July 2014, philologist Vincent W.J. van Gerven Oei and photographer Marco Mazzi undertook the Albanian Lapidar Survey, a project to map, document, and photograph the large majority of Albanian lapidars, a ...
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        Lapidari 2: Images, Part I 

        Mazzi, Marco (2015)
        In June and July 2014, philologist Vincent W.J. van Gerven Oei and photographer Marco Mazzi undertook the Albanian Lapidar Survey, a project to map, document, and photograph the large majority of Albanian lapidars, a ...
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        I Open Fire 

        Pol, David (2014)
        David Pol presents an ontology of war in the form of the lyric poem. “Do you hear what I’m shooting at you?” In I Open Fire, all relation is warfare. Minefields compromise movement. Intention aims. Touch burns. Sex explodes ...
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        Snowline 

        Mancini, Donato (2015)
        “Mais où sont les neiges d’antan?” François Villon’s most famous line is a kind of translation, a variation of the old “ubi sunt” trope: Where are the things that used to be? But Villon specifically asks: Where are the ...
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        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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