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    Kino der Lüge

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    Contributor(s)
    Kratochwill, Kerstin (editor)
    Steinlein, Almut (editor)
    Language
    German
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    Abstract
    »Das ist kein Blut, das ist nur rote Farbe« (Jean-Luc Godard). Das Kino ist eine Welt der Illusionen. Doch wann wird es zur Lüge? 24 mal pro Sekunde? Die Aufsatzsammlung spürt der Lüge im Kino anhand beispielhaft analysierter Filme verschiedener Genres nach. Die Filme Blow Up, Der Clou, Rashomon, Der Kontrakt des Zeichners, Das Leben ein Pfeifen, Schwarze Katze, weißer Kater sowie eXistenZ und Lost Highway werden in interkultureller Breite sowohl inhaltlich als auch medienreflexiv auf die Aspekte der Lüge, der Täuschung und der Manipulation hin untersucht. Die Beiträger arbeiten die Spannung der Lüge im Kino heraus: Es geht ihnen sowohl um das Lügen im Film als auch um das spezifisch ästhetische Lügen des Films.
    URI
    http://library.oapen.org/handle/20.500.12657/22567
    Keywords
    Kino; Film; Lüge; Medienwissenschaft; Filmwissenschaft; Kulturwissenschaft; Media Studies; Cultural Studies
    DOI
    10.14361/9783839401804
    ISBN
    9783899421804
    Publisher
    transcript Verlag
    Publisher website
    https://www.transcript-verlag.de/
    Publication date and place
    Bielefeld, 2004
    Series
    Film,
    Classification
    Films, cinema
    Pages
    196
    Rights
    http://creativecommons.org/licenses/by-nc-nd/3.0/
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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