Ohio State University Press
OSU
The Ohio State University Press
dc.date.accessioned | 2020-03-26T09:34:43Z | |
dc.date.available | 2020-03-26T09:34:43Z | |
dc.identifier.uri | http://library.oapen.org/handle/20.500.12657/2328 | |
dc.type | grantor | |
oapen.relation.funds | 390d7dfc-8f49-4517-93d4-a92ad0ac6da7 | |
oapen.relation.funds | cae42aa2-4980-4baa-b55a-2dd99008a9fa | |
grantor.name | Ohio State University Press | |
grantor.acronym | OSU | |
grantor.acronym | The Ohio State University Press | |
grantor.doi | 10.13039/100005166 |
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(2022)Commercial cinema has been among the most powerful vectors of social and aesthetic modernization in South Asia. So argues Iftikhar Dadi in his provocative examination of cinema produced between 1956 and 1969—the long ...
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