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        Chapter 17 Timbre Networks

        An approach to Composition and Performance in Computer Music

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        Author(s)
        Parra Cancino, Juan
        Contributor(s)
        Veale, Tony (editor)
        Feyaerts, Kurt (editor)
        Forceville, Charles (editor)
        Collection
        European Research Council (ERC); EU collection
        Language
        English
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        Abstract
        Over the following pages, I will propose and present a method that integrates the sound realm of computer music into the domain of human performance, striving to find a balance between these two worlds by focusing on the importance of timbre in today’s music creation. I shall also explore the historical contribution of the performers of contemporary music to its idiomatic development.
        Book
        Creativity and the Agile Mind: A Multi-Disciplinary Study of a Multi-Faceted Phenomenon
        URI
        http://library.oapen.org/handle/20.500.12657/23718
        Keywords
        Creativity; Language; Visual Communication; Music; Cognitive Science
        DOI
        10.1515/9783110295290.355
        ISBN
        9783110293487
        OCN
        1135845410
        Publisher
        De Gruyter
        Publisher website
        https://www.degruyter.com/
        Publication date and place
        Berlin/Boston, 2013
        Grantor
        • FP7 Ideas: European Research Council - 313419 - MusicExperiment21 Research grant informationFind all documents
        Classification
        Linguistics
        Sociolinguistics
        Semantics, discourse analysis, stylistics
        Communication studies
        Rights
        All rights reserved
        • Imported or submitted locally

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        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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