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        Queering the Shakespeare Film 

        Patricia, Anthony Guy (2017)
        A range of mainstream and independent English language film productions of A Midsummer Night’s Dream, Romeo and Juliet, Othello, Twelfth Night, and The Merchant of Venice take centre stage in Queering the Shakespeare Film. ...
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        Dylan's Autobiography of a Vocation 

        Renza, Louis A. (2017)
        Many critics have interpreted Bob Dylan’s lyrics, especially those composed during the middle to late 1960s, in the contexts of their relation to American folk, blues, and rock ‘n’ roll precedents; their discographical ...
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        Emotional Excess on the Shakespearean Stage 

        Escolme, Bridget (2013)
        Emotional Excess on the Shakespearean Stage demonstrates the links made between excess of emotion and madness in the early modern period. It argues that the ways in which today's popular and theatrical cultures judge how ...
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        Biblical Terror 

        Cataldo, Jeremiah W. (2017)
        For biblical authors and readers, law and restoration are central concepts in the Bible, but they were not always so. To trace out the formation of those biblical concepts as elements in defensive strategies, Cataldo uses ...
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        Ancient Greek Myth in World Fiction since 1989 

        Hall, Edith (2016-06-02)
        Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek ...
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        License

        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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