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dc.contributor.authorMcKerrell , Simon
dc.contributor.authorPfeiffer, Kerstin
dc.date.accessioned2019-11-12 13:03:14
dc.date.accessioned2020-04-01T09:30:34Z
dc.date.available2020-04-01T09:30:34Z
dc.date.issued2019
dc.identifier1006295
dc.identifierOCN: 1135847147en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/23843
dc.description.abstractThis chapter deliberately ranges across disciplines because we wish to move towards a better understanding of the notion of performance in relation to ICH, where both terms are inherently transdisciplinary. We fi rst examine the concept of performance as it is understood in Theatre and Performance Studies, focussing on those aspects which are pertinent to ICH – embodiment, liminality and effi cacy. Second, we turn to Heritage Studies and outline how ideas of and about performance shape our understanding of heritage and its sociocultural dimensions. Thirdly, and fi nally, we investigate aspects of the tension between the performance of and the research on ICH through the lens of ethnomusicology, a discipline that is shaped by the tensions between the wealth of tacit cultural knowledge acquired by learning to perform works of ICH and the need to communicate such knowledge in research outputs.
dc.languageEnglish
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH Historyen_US
dc.subject.otherperformance
dc.subject.othercultural heritage
dc.titleChapter 2 On the relationship between performance and intangible cultural heritage
dc.typechapter
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb
oapen.relation.isPartOfBook92485eae-49d3-4534-86ef-f58799bc9e57
oapen.relation.isbn9780429202964
oapen.imprintRoutledge
oapen.pages12
oapen.remark.public3-8-2020 - No DOI registered in CrossRef for ISBN 9780367186760
oapen.identifier.ocn1135847147


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