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dc.contributor.editorHanich, Julian
dc.contributor.editorFairfax, Daniel
dc.date.accessioned2019-11-06 23:55
dc.date.accessioned2020-03-27 15:48:21
dc.date.accessioned2020-04-01T09:55:35Z
dc.date.available2020-04-01T09:55:35Z
dc.date.issued2019
dc.identifier1005810
dc.identifierOCN: 1135845059en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/24321
dc.description.abstractFor the first time this volume makes Jean-Pierre Meunier’s insightful thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film studies and philosophy, Meunier’s intricate phenomenological descriptions of the spectator’s engagement with fiction films, documentaries and home movies can reach the wide audience they have deserved ever since their publication in French in 1969.
dc.languageEnglish
dc.relation.ispartofseriesFilm Theory in Media History
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticismen_US
dc.subject.classificationthema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aestheticsen_US
dc.subject.otherFilm Studies
dc.titleThe Structures of the Film Experience by Jean-Pierre Meunier
dc.title.alternativeHistorical Assessments and Phenomenological Expansions
dc.typebook
oapen.identifier.doi10.2307/j.ctvpbnq82
oapen.relation.isPublishedBydd3d1a33-0ac2-4cfe-a101-355ae1bd857a
oapen.relation.isbn9789048537846
oapen.pages361
oapen.place.publicationAmsterdam
oapen.identifier.ocn1135845059


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