Cinematic Vitalism
| dc.contributor.author | Pollmann, Inga | |
| dc.date.accessioned | 2019-11-06 23:55 | |
| dc.date.accessioned | 2020-03-27 15:48:21 | |
| dc.date.accessioned | 2020-04-01T09:55:45Z | |
| dc.date.available | 2020-04-01T09:55:45Z | |
| dc.date.issued | 2017 | |
| dc.identifier | 1005804 | |
| dc.identifier | OCN: 1135845017 | en_US |
| dc.identifier.uri | http://library.oapen.org/handle/20.500.12657/24327 | |
| dc.description.abstract | This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the movie theater. Articulated by film theorists, filmmakers, biologists, and philosophers, this cinematic vitalism maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film. | |
| dc.language | English | |
| dc.relation.ispartofseries | Film Culture in Transition | |
| dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism | en_US |
| dc.subject.classification | thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies | en_US |
| dc.subject.other | Film Studies | |
| dc.title | Cinematic Vitalism | |
| dc.type | book | |
| oapen.identifier.doi | 10.2307/j.ctv5nph05 | |
| oapen.relation.isPublishedBy | dd3d1a33-0ac2-4cfe-a101-355ae1bd857a | |
| oapen.relation.isbn | 9789462983656 | |
| oapen.pages | 257 | |
| oapen.place.publication | Amsterdam | |
| oapen.identifier.ocn | 1135845017 |
