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dc.contributor.authorJoret, Blandine
dc.date.accessioned2019-11-06 23:55
dc.date.accessioned2020-03-27 15:48:21
dc.date.accessioned2020-04-01T09:55:49Z
dc.date.available2020-04-01T09:55:49Z
dc.date.issued2019
dc.identifier1005801
dc.identifierOCN: 1127654470en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/24330
dc.description.abstractThe impact of French film critic André Bazin (1918-1958) on the development of film studies, though generally acknowledged, remains contested. A passionate initiator of film culture during his lifetime, his ideas have been challenged, defended and revived throughout his afterlife. Studying Film with André Bazin offers an entirely original interpretation of major concepts from Bazin’s legacy, such as auteur theory, realism, film language and the influence of film on other arts (poetry and painting in particular). By examining mostly unknown and uncollected texts, Blandine Joret explains Bazin’s methodology and adopts it in a contemporary reading, linking his ideas to major philosophical and scientific frameworks as well as more recent media practices such as advertising, CGI, 3D cinema and Virtual Reality. In tune with 21st-century concerns in media culture and film studies, this book addresses a wide readership of film scholars, students and cinephiles.
dc.languageEnglish
dc.relation.ispartofseriesFilm Theory in Media History
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFB Individual film directors, film-makers
dc.subject.otherFilm
dc.titleStudying Film with André Bazin
dc.typebook
oapen.identifier.doi10.2307/j.ctvrs8xh6
oapen.relation.isPublishedBydd3d1a33-0ac2-4cfe-a101-355ae1bd857a
oapen.pages209
oapen.place.publicationAmsterdam
oapen.identifier.ocn1127654470


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