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dc.contributor.editorMellamphy, Dan
dc.contributor.editorBiswas Mellamphy, Nandita
dc.date.accessioned2019-03-26 23:55
dc.date.accessioned2020-01-23 14:09:07
dc.date.accessioned2020-04-01T10:40:44Z
dc.date.available2020-04-01T10:40:44Z
dc.date.issued2016
dc.identifier1004618
dc.identifierOCN: 1048171100en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/25477
dc.description.abstractCan Nietzsche be considered a thinker of media and mediation, as the German media theorist Friedrich Kittler declared in his influential book Gramophone, Film, Typewriter? Nietzsche was a truly transdisciplinary thinker, one who never fit into his own nineteenth-century surroundings and who recognized himself as a “herald and precursor” of the future, of our globally-reticulated digital present. Perhaps not since Kittler has there been a study — let alone an anthology — that re-assesses and re-evaluates Nietzsche’s thought in light of the technically mediated and machinic conditions of the human in the age of digital networks.
dc.languageEnglish
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studiesen_US
dc.subject.othermedia studies
dc.subject.othercybernetics
dc.subject.othernetworks
dc.subject.otherphilosophy
dc.subject.othertechnology
dc.titleThe Digital Dionysus: Nietzsche and the Network-Centric Condition
dc.typebook
oapen.identifier.doi10.21983/P3.0149.1.00
oapen.relation.isPublishedBy979dc044-00ee-4ea2-affc-b08c5bd42d13
oapen.relation.isbn9780692270790
oapen.collectionScholarLed
oapen.pages286
oapen.place.publicationBrooklyn, NY
oapen.identifier.ocn1048171100


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