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dc.contributor.authorJohnson, C.B.
dc.date.accessioned2019-03-26 23:55
dc.date.accessioned2020-01-23 14:09:07
dc.date.accessioned2020-04-01T10:42:46Z
dc.date.available2020-04-01T10:42:46Z
dc.date.issued2015
dc.identifier1004561
dc.identifierOCN: 945783106en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/25534
dc.description.abstractEntering the 21st century, the postmodern succession has given way to a doom-laden, apolitical orthodoxy. This book offers suggestive readings of “the contemporary” in light of high modernity, postwar modernity, and postmodernity, as framed by the influential institutions of modern art and the spectacles of millennial architecture. Modernity without a Project critiques and connects historical avant-garde currents as they are institutionally expressed or captured, and scrutinizes the remake of New York’s Museum of Modern Art, Minoru Yamasaki’s vanished Utopias, the “anarchitecture” of Lebbeus Woods, recent work of Rem Koolhaas, delirious developments in Dubai, and the unexpected contribution to architectural debate by the late Hugo Chavez
dc.languageEnglish
dc.subject.classificationbic Book Industry Communication::A The arts::AC History of art / art & design styles::ACX History of art & design styles: from c 1900 -::ACXD Art & design styles: c 1900 to c 1960::ACXD2 Art & design styles: Modernist design & Bauhaus
dc.subject.othermodernism
dc.subject.othercultural studies
dc.subject.otherarchitecture
dc.subject.otheravant-garde art
dc.titleModernity without a Project
dc.typebook
oapen.identifier.doi10.21983/P3.0087.1.00
oapen.relation.isPublishedBy979dc044-00ee-4ea2-affc-b08c5bd42d13
oapen.collectionScholarLed
oapen.pages212
oapen.place.publicationBrooklyn, NY
oapen.identifier.ocn945783106


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