South Station Hoard: Imagining, Creating and Empowering Violent Remains
dc.contributor.editor | Bradbury, Carlee A | |
dc.date.accessioned | 2019-03-26 23:55 | |
dc.date.accessioned | 2020-01-23 14:09:07 | |
dc.date.accessioned | 2020-04-01T10:42:48Z | |
dc.date.available | 2020-04-01T10:42:48Z | |
dc.date.issued | 2014 | |
dc.identifier | 1004559 | |
dc.identifier | OCN: 945783307 | en_US |
dc.identifier.uri | http://library.oapen.org/handle/20.500.12657/25536 | |
dc.description.abstract | This collaborative arts research project compares the landmark discovery of the Staffordshire Hoard, the largest hoard of Anglo-Saxon gold and silver metalwork discovered in 2009, with an imagined hoard from present day pre-adolescent girls. The collaborators constructed a subterranean installation, generated speculative historical documents, collected and embellished social networking “artifacts,” and photographed the entire process. In addition to dealing with the notion of a medieval hoard as a signifier of a medieval warrior as both hero and anti-hero, this artbook, or work of futurist archaeology, addresses contemporary issues relating to gender, youth culture, bullying, adolescent development, iconicity, status symbols, and additional contemporary tween issues. | |
dc.language | English | |
dc.subject.classification | thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGK Small-scale, secular and domestic scenes in art | en_US |
dc.subject.other | futurist archeology | |
dc.subject.other | hoards | |
dc.subject.other | gender studies | |
dc.subject.other | cultural theory | |
dc.subject.other | tween culture | |
dc.title | South Station Hoard: Imagining, Creating and Empowering Violent Remains | |
dc.type | book | |
oapen.identifier.doi | 10.21983/P3.0085.1.00 | |
oapen.relation.isPublishedBy | 979dc044-00ee-4ea2-affc-b08c5bd42d13 | |
oapen.relation.isbn | 9780692346563 | |
oapen.collection | ScholarLed | |
oapen.pages | 172 | |
oapen.place.publication | Brooklyn, NY | |
oapen.identifier.ocn | 945783307 |