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dc.contributor.authorLohmann, Sam
dc.date.accessioned2019-03-26 23:55
dc.date.accessioned2020-01-23 14:09:07
dc.date.accessioned2020-04-01T10:43:20Z
dc.date.available2020-04-01T10:43:20Z
dc.date.issued2014
dc.identifier1004536
dc.identifierOCN: 945782608en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/25559
dc.description.abstractThe sestina is a form in which words repeat regularly, intricately, appearing and reappearing in new contexts with new meanings. Sam Lohmann’s Unless As Stone Is emerged from a few years of living with Dante’s sestina, “Al poco giorno e al gran cerchio d’ombra.” He allowed the text to appear in its own new — if irregularly scheduled — contexts. New translations, new scenery, new meanings; new phrases entered the poem (from García Lorca, from Sappho, from strangers and from loved ones) and found their own patterns. What resulted is a serial poem in seven movements, incorporating several strategies of reincorporation. “Quandunque i colli fanno più nera ombra” — “All our oddity operates / on changing verity.”
dc.languageEnglish
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poetsen_US
dc.subject.otherpoetry
dc.subject.otherDante
dc.subject.othersestina
dc.subject.otheradaptation
dc.titleUnless As Stone Is
dc.typebook
oapen.identifier.doi10.21983/P3.0058.1.00
oapen.relation.isPublishedBy979dc044-00ee-4ea2-affc-b08c5bd42d13
oapen.relation.isbn9780615983929
oapen.collectionScholarLed
oapen.pages40
oapen.place.publicationBrooklyn, NY
oapen.identifier.ocn945782608


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