Reading Shakespeare's mind
| dc.contributor.author | Sohmer, Steve | |
| dc.date.accessioned | 2019-03-05 23:55 | |
| dc.date.accessioned | 2020-03-12 03:00:32 | |
| dc.date.accessioned | 2020-04-01T10:50:31Z | |
| dc.date.available | 2020-04-01T10:50:31Z | |
| dc.date.issued | 2017-01-03 | |
| dc.identifier | 1004269 | |
| dc.identifier | OCN: 973046181 | en_US |
| dc.identifier.uri | http://library.oapen.org/handle/20.500.12657/25820 | |
| dc.description.abstract | This book shows that William Shakespeare was a more personal writer than any of his innumerable commentators have realised. It asserts that numerous characters and events were drawn from the author's life, and puts faces to the names of Jaques, Touchstone, Feste, Jessica, the 'Dark Lady' and others. Steven Sohmer explores aspects of Shakespeare's plays and sonnets that have been hitherto overlooked or misinterpreted in an effort to better understand the man and his work. If you've ever wondered who Pigrogromitus was, or why Jaques spies on Touchstone and Audrey - or what the famous riddle M.O.A.I. stands for - this is the book for you. | |
| dc.language | English | |
| dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSG Literary studies: plays and playwrights | en_US |
| dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBD Literary studies: c 1600 to c 1800 | en_US |
| dc.subject.classification | thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACB English | en_US |
| dc.subject.classification | thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PX Relating to specific and significant cultural interests | en_US |
| dc.subject.other | Literature | |
| dc.subject.other | Shakespeare | |
| dc.subject.other | Criticism | |
| dc.subject.other | Goethe | |
| dc.subject.other | Coleridge | |
| dc.subject.other | Theatre Studies | |
| dc.subject.other | Marlowe | |
| dc.subject.other | Jonson | |
| dc.subject.other | Twelfth Night | |
| dc.subject.other | As You Like It | |
| dc.subject.other | The Merchant of Venice | |
| dc.subject.other | M.O.A.I. | |
| dc.subject.other | Literary criticism | |
| dc.subject.other | historiography | |
| dc.title | Reading Shakespeare's mind | |
| dc.type | book | |
| oapen.identifier.doi | 10.7228/manchester/9781526113276.001.0001 | |
| oapen.relation.isPublishedBy | 6110b9b4-ba84-42ad-a0d8-f8d877957cdd | |
| oapen.relation.isFundedBy | b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 | |
| oapen.relation.isbn | 9781526113276 | |
| oapen.collection | Knowledge Unlatched (KU) | |
| oapen.place.publication | Manchester | |
| oapen.grant.number | 101896 | |
| oapen.grant.program | KU Select 2018: HSS Backlist Books | |
| oapen.identifier.isbn | 9781526113276 | |
| grantor.number | 101896 | |
| oapen.identifier.ocn | 973046181 |
