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dc.contributor.authorHutching, Stephen
dc.contributor.authorTolz, Vera
dc.date.accessioned2019-10-17 14:31:45
dc.date.accessioned2020-04-01T10:53:31Z
dc.date.available2020-04-01T10:53:31Z
dc.date.issued2015
dc.identifier1004208
dc.identifierOCN: 1100529852en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/25875
dc.description.abstractRussia, one of the most ethno-culturally diverse countries in the world, provides a rich case study on how globalization and associated international trends are disrupting and causing the radical rethinking of approaches to inter-ethnic cohesion. The book highlights the importance of television broadcasting in shaping national discourse and the place of ethno-cultural diversity within it. It argues that television’s role here has been reinforced, rather than diminished, by the rise of new media technologies. Through an analysis of a wide range of news and other television programmes, the book shows how the covert meanings of discourse on a particular issue can diverge from the overt significance attributed to it, just as the impact of that discourse may not conform with the original aims of the broadcasters. The book discusses the tension between the imperative to maintain security through centralized government and overall national cohesion that Russia shares with other European states, and the need to remain sensitive to, and to accommodate, the needs and perspectives of ethnic minorities and labour migrants. It compares the increasingly isolationist popular ethno-nationalism in Russia, which harks back to ‘old-fashioned’ values, with the similar rise of the Tea Party in the United States and the UK Independence Party in Britain. Throughout, this extremely rich, well-argued book complicates and challenges received wisdom on Russia’s recent descent into authoritarianism. It points to a regime struggling to negotiate the dilemmas it faces, given its Soviet legacy of ethnic particularism, weak civil society, large native Muslim population and overbearing, yet far from entirely effective, state control of the media.
dc.languageEnglish
dc.relation.ispartofseriesBASEES/Routledge Series on Russian and East European Studies
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinemaen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATJ Televisionen_US
dc.subject.classificationthema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industriesen_US
dc.subject.otherTelevision
dc.subject.othertelevision broadcasting
dc.subject.othernational discourse
dc.subject.otherethnicity
dc.subject.otherethno-cultural diversity
dc.subject.otherrole television
dc.subject.otherRussia
dc.subject.othernew media technology
dc.titleNation, Ethnicity and Race on Russian Television
dc.title.alternativeMediating post-Soviet difference
dc.typebook
oapen.identifier.doi10.1080/09668136.2016.1152053
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb
oapen.relation.isbn9781315722863
oapen.imprintRoutledge
oapen.series.number100
oapen.pages300
oapen.identifier.ocn1100529852
peerreview.anonymitySingle-anonymised
peerreview.idbc80075c-96cc-4740-a9f3-a234bc2598f1
peerreview.open.reviewNo
peerreview.publish.responsibilityPublisher
peerreview.review.stagePre-publication
peerreview.review.typeProposal
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.titleProposal review
oapen.review.commentsTaylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required).
oapen.review.commentsTaylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required).


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