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    Die Magie der Annaeherung und das Geheimnis der Distanz

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    Author(s)
    Schorlemmer, Uta
    Language
    German
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    Abstract
    Krystian Lupa (* 1943), to whom this work is dedicated, is a theater director who enjoys the status of a "master" in Poland at the latest since the beginning of the 1990s. He has a reputation for lasting influence on Polish theater. This monograph presents the theatrical work of the Polish director Krystian Lupa for the first time comprehensively to the German speaking public. Starting from Lupas biography, an overview of his previous work and his narrative dramaturgy on individual staging analyzes to the detailed analysis of the staging cycle after Broch's "The Sleepwalkers" Lupas artistic manifesto, in the theater "want to explore new myths" discussed. The depiction of Lupa's theatrical concept is considered in the context of a mythology between martyrology and messianism, which has shaped the Polish cultural paradigm for many years, but is now in transition. Lupa's theater functions as a "metaphysical experience". Nevertheless, it seeks and investigates human cognition, which is why it is called "cognitive psychological theater". As an "interruption of the political," it comes up with a sense design that is put to the test and deliberately unchanged. Lupa integrates radical self-knowledge into a fragmentary totality that remains so human that man is not degraded in it, but rises.
     
    Krystian Lupa (*1943), dem diese Arbeit gewidmet ist, ist ein Theaterregisseur, der in Polen spätestens seit Beginn der 1990er Jahre den Status eines "Meisters" genießt. Er steht in dem Ruf, das polnische Theater nachhaltig zu prägen. Diese Monographie stellt die Theaterarbeit des polnischen Regisseurs Krystian Lupa erstmals in umfassender Form dem deutschsprachigen Publikum vor. Ausgehend von Lupas Biographie, einem Überblick über sein bisheriges Schaffen und seine narrative Dramaturgie über einzelne Inszenierungsanalysen bis hin zur Detailanalyse des Inszenierungszyklus nach Brochs "Die Schlafwandler" wird Lupas künstlerisches Manifest, im Theater "neue Mythen" erforschen zu wollen, diskutiert. Die Darstellung von Lupas Theaterkonzept wird im Kontext einer Mythologie zwischen Martyrologie und Messianismus betrachtet, die das polnische kulturelle Paradigma lange Jahre geprägt hat, heute jedoch im Umbruch begriffen ist. Lupas Theater funktioniert als "metaphysisches Erlebnis". Es sucht und untersucht gleichwohl menschliche Erkenntnis, weshalb es "erkenntnispsychologisches Theater" genannt wird. Als "Unterbrechung des Politischen" wartet es mit einem Sinnentwurf auf, der auf die Probe gestellt und bewußt unverändert bleibt. Lupa integriert radikale Selbsterkenntnis in eine fragmentarische Totalität, die so menschlich bleibt, daß der Mensch in ihr nicht erniedrigt wird, sondern sich erhebt.
     
    URI
    http://library.oapen.org/handle/20.500.12657/26129
    Keywords
    theatrical work; Annäherung; Distanz; Geheimnis; Magie; Narratives Theater; Psychologie der Erkenntnis; Schorlemmer; Selbstreferentialität; Totalität und Individualität; Witkacy
    DOI
    10.3726/b12703
    ISBN
    9783954790180
    OCN
    1083017313
    Publisher
    Peter Lang International Academic Publishers
    Publisher website
    https://www.peterlang.com/
    Publication date and place
    Bern, 2003
    Series
    Slavistische Beitraege, 427
    Classification
    The Arts
    Pages
    273
    Rights
    https://creativecommons.org/licenses/by/4.0/legalcode
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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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