Chapter 8 Peter Rehberg, Christian Fennesz and the Label Mego
Proposal review
Between Glitch and Bécs
| dc.contributor.author | Mazierska, Ewa | |
| dc.date.accessioned | 2019-10-17 14:49:20 | |
| dc.date.accessioned | 2020-04-01T12:22:17Z | |
| dc.date.accessioned | 2018-09-28 23:55 | |
| dc.date.accessioned | 2019-10-17 14:49:20 | |
| dc.date.accessioned | 2020-04-01T12:22:17Z | |
| dc.date.available | 2020-04-01T12:22:17Z | |
| dc.date.issued | 2018 | |
| dc.identifier | 1001563 | |
| dc.identifier | OCN: 1076719619 | en_US |
| dc.identifier.uri | http://library.oapen.org/handle/20.500.12657/28399 | |
| dc.description.abstract | A large proportion of artists considered in this study at some stage of their career veered towards ‘serious’ or experimental music. This also refers to Peter Rehberg and Christian Fennesz. However, they differ from those considered previously, because unlike them, they did not cross the boundary between the popular and academic now and then but made it their personal signature. Their music also challenges our concept of electronic music, as well as studio and stage and even music and non-music. To contextualise their work, it is worth locating it first against the concept of ‘noise music’ or rather ‘noise as music’. | |
| dc.language | English | |
| dc.subject.classification | thema EDItEUR::A The Arts | en_US |
| dc.subject.other | Electronica | |
| dc.subject.other | Musica | |
| dc.subject.other | Austria | |
| dc.subject.other | Vienna | |
| dc.subject.other | History | |
| dc.subject.other | Criticism | |
| dc.subject.other | Popular music | |
| dc.subject.other | Social aspects | |
| dc.subject.other | Electronica | |
| dc.subject.other | Musica | |
| dc.subject.other | Austria | |
| dc.subject.other | Vienna | |
| dc.subject.other | History | |
| dc.subject.other | Criticism | |
| dc.subject.other | Popular music | |
| dc.subject.other | Social aspects | |
| dc.subject.other | Fennesz | |
| dc.subject.other | Mego (label) | |
| dc.subject.other | Peter Rehberg | |
| dc.subject.other | Techno | |
| dc.title | Chapter 8 Peter Rehberg, Christian Fennesz and the Label Mego | |
| dc.title.alternative | Between Glitch and Bécs | |
| dc.type | chapter | |
| oapen.relation.isPublishedBy | 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb | |
| oapen.relation.isPartOfBook | 9f48e641-1e62-4aa4-9485-f6bd5c54f382 | |
| oapen.relation.isbn | 9781315230627 | |
| oapen.imprint | Routledge | |
| oapen.pages | 29 | |
| oapen.remark.public | Relevant Wikipedia pages: Electronic music - https://en.wikipedia.org/wiki/Electronic_music; Fennesz - https://en.wikipedia.org/wiki/Fennesz; Mego (label) - https://en.wikipedia.org/wiki/Mego_(label); Peter Rehberg - https://en.wikipedia.org/wiki/Peter_Rehberg; Techno - https://en.wikipedia.org/wiki/Techno; Vienna - https://en.wikipedia.org/wiki/Vienna | |
| oapen.remark.public | 3-8-2020 - No DOI registered in CrossRef for ISBN 9781138713918 | |
| oapen.identifier.ocn | 1076719619 | |
| peerreview.anonymity | Single-anonymised | |
| peerreview.id | bc80075c-96cc-4740-a9f3-a234bc2598f1 | |
| peerreview.open.review | No | |
| peerreview.publish.responsibility | Publisher | |
| peerreview.review.stage | Pre-publication | |
| peerreview.review.type | Proposal | |
| peerreview.reviewer.type | Internal editor | |
| peerreview.reviewer.type | External peer reviewer | |
| peerreview.title | Proposal review | |
| oapen.review.comments | Taylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required). |
