Eric Rohmer's Film Theory (1948-1953)
Double blind
| dc.contributor.author | Grosoli, Marco | |
| dc.date.accessioned | 2018-09-21 23:55 | |
| dc.date.accessioned | 2019-12-10 14:46:32 | |
| dc.date.accessioned | 2020-04-01T12:22:46Z | |
| dc.date.available | 2020-04-01T12:22:46Z | |
| dc.date.issued | 2018 | |
| dc.identifier | 1001514 | |
| dc.identifier | OCN: 1041854170 | en_US |
| dc.identifier.uri | http://library.oapen.org/handle/20.500.12657/28445 | |
| dc.description.abstract | This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory. | |
| dc.language | English | |
| dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism | en_US |
| dc.subject.other | Rohmer | |
| dc.subject.other | auteurs | |
| dc.subject.other | Sartre | |
| dc.subject.other | Kant | |
| dc.subject.other | criticism | |
| dc.title | Eric Rohmer's Film Theory (1948-1953) | |
| dc.type | book | |
| oapen.identifier.doi | 10.5117/9789462985803 | |
| oapen.relation.isPublishedBy | dd3d1a33-0ac2-4cfe-a101-355ae1bd857a | |
| oapen.relation.isbn | 9789462985803; 9789048537037 | |
| oapen.redirect | 1005711 | |
| oapen.identifier.ocn | 1041854170 | |
| peerreview.anonymity | Double-anonymised | |
| peerreview.id | 018fba68-c4ac-4010-89c6-ff4f0dbcf579 | |
| peerreview.open.review | No | |
| peerreview.publish.responsibility | Publisher | |
| peerreview.review.decision | Yes | |
| peerreview.review.stage | Pre-publication | |
| peerreview.review.type | Full text | |
| peerreview.reviewer.type | External peer reviewer | |
| peerreview.title | Double blind |
