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dc.contributor.authorZechner, Ingeborg
dc.date.accessioned2018-09-15 23:55
dc.date.accessioned2019-05-11 03:00:56
dc.date.accessioned2020-04-01T12:25:35Z
dc.date.available2020-04-01T12:25:35Z
dc.date.issued2017
dc.identifier1000566
dc.identifierOCN: 1076769705en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/29391
dc.description.abstractThis books deals with the Italian opera business in nineteenth century-London. A special emphasis lies on the opera singers as the most important protagonists of the London system. This special role will be examined through the analysis of the opera audience in London, the contractual practice and the tradition of the adaptation of operas to the likes of the London market as well as the substitution of arias.
dc.languageEnglish
dc.subject.otherItalian opera
dc.subject.otherLondon
dc.subject.othernineteenth century
dc.subject.othersingers
dc.subject.othersingers contracts
dc.subject.othercourt proceedings
dc.subject.otherHer Majesty’s Theatre
dc.subject.otherRoyal Italian Opera House Covent Garden
dc.subject.otheradaptation of operas
dc.subject.othersubstitution of arias
dc.subject.otheropera audience
dc.subject.otheropera market
dc.subject.otherItalienische Oper
dc.subject.otherLondon
dc.subject.other19. Jahrhundert
dc.subject.otherSänger
dc.subject.otherSängerverträge
dc.subject.otherGerichtsprozesse
dc.subject.otherHer Majesty’s Theatre
dc.subject.otherRoyal Italian Opera House Covent Garden
dc.subject.otherAdaptionspraxis
dc.subject.otherEinlagearienpraxis
dc.subject.otherOpernpublikum
dc.subject.otherOpernmarkt
dc.subject.otherItaly
dc.subject.otherLibretto
dc.subject.otherPauline Viardot
dc.titleThe English Trade in Nightingales
dc.title.alternativeItalian Opera in Nineteenth-Century London
dc.typebook
oapen.abstract.otherlanguageDie Publikation beschäftigt sich mit dem italienischen Opernwesen im London des 19. Jahrhunderts. Im Vordergrund stehen die Sänger als tragende Protagonisten des Londoner Opernsystems. Deren Bedeutung für den Londoner Opernmarkt wird mithilfe einer Analyse des Londoner Opernpublikums, der Vertragspraxis der Zeit und der Adaptions- und Einlagearienpraxis festgemacht.
oapen.relation.isPublishedByaf16fd4b-42a1-46ed-82e8-c5e880252318*
oapen.relation.isFundedBy26ae1657-c58f-4f1d-a392-585ee75c293e
oapen.collectionAustrian Science Fund (FWF)
oapen.imprintBöhlau
oapen.pages406
oapen.grant.numberPUB 390
oapen.remark.publicRelevant Wikipedia pages: Her Majesty's Theatre - https://en.wikipedia.org/wiki/Her_Majesty%27s_Theatre; Italian opera - https://en.wikipedia.org/wiki/Italian_opera; Italy - https://en.wikipedia.org/wiki/Italy; Libretto - https://en.wikipedia.org/wiki/Libretto; London - https://en.wikipedia.org/wiki/London; Opera - https://en.wikipedia.org/wiki/Opera; Pauline Viardot - https://en.wikipedia.org/wiki/Pauline_Viardot; Royal Opera House - https://en.wikipedia.org/wiki/Royal_Opera_House
oapen.remark.public21-7-2020 - No DOI registered in CrossRef for ISBN 978320520554
oapen.identifier.ocn1076769705


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