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    Chapter Украинская культура Василя Стуса между Европой и Россией 

    Achilli, Alessandro (2017)
    The writings of Vasyl’ Stus (1938-1985) offer an interesting example of some typical dynamics of Ukrainian culture, divided among attraction for Europe and the need to reaffirm its own Europeanness, the autoreferential ...
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    Chapter Entre mythe et histoire, syncrétisme et fracture, universalité et russité: le recueil Mednyj Kit (Baleine de bronze) au coeur de l’esthétique révolutionnaire de Nikolaj Kljuev 

    Sinichkina, Daria (2017)
    Soon after greeting the February revolution, Klyuev turns to an aesthetic of violence and disruption. In the poetic cycle Medny Kit (1918), the utopia of “peasant paradise” stems from the apocalyptic destruction of old ...
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    Chapter Ограничительные факторы синтаксических трансформаций русских идиом 

    Gasanova Mijat, Marina (2016)
    This paper attempts to identify the factors that either limit the passivization and decausation of Russian idioms containing transitive verbs of movement. Most of these verbs are highly subject to passivization in free ...
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    Chapter La révolte des mousquetaires (strel’cy) de 1698 dans les lettres de l’envoyé danois Paul Heins 

    Lavrov, Aleksandr (2017)
    The four documents published for the first time in extenso are dedicated to the memorable events such as the last uprising of Strel’tsy, the two investigations organized by the authorities, and the execution of the culprits. ...
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    Chapter La Russia sovietica con gli occhi dei viaggiatori fascisti: frattura come (parziale) integrazione 

    Farsetti, Alessandro (2017)
    Thanks to a linguistic comparison of travel notes by Fascist intellectuals in the USSR I have identified three interpretative models of the Soviet phenomenon: theories about the character of Russian people; the presence ...
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    Chapter Les tableaux maudits, en France et en Russie 

    Gonneau, Pierre (2017)
    I. Repin’s “Ivan the Terrible and his son”, exhibited in 1885, in a very tense social and political context, sparked off fierce reactions. While the Itinerant painter Kramskoj is enthusiastic, the ge-neral-prosecutor of ...
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    Chapter Penser la phase perdue du modernisme russe 

    Livak, Leonid (2017)
    This paper proposes a revision of Russian modernism’s politically-motivated chronology and geography through the integration of two academic subfields – modernist and exilic studies. Such an integrative approach allows us ...
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    Chapter Michel Trivolis / Maxime Le Grec (env. 1470-1555/1556). Processus de modernisation et fin du Moyen âge en Russie 

    Garzaniti, Marcello (2017)
    The study aims to read the biography of Maximus the Greek in the light of the culture of humanism and the Christian renewal movements taking place between fifteenth and sixteenth century, and to highlight his role as ...
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    Chapter La reprise du dialogue avec la slavistique occidentale après la mort de Stalin. L’exemple de Julian Grigorevič Oksman (1894/95-1970) 

    Catherine, Depretto (2017)
    Prominent historian of Russian literature, one of the best pushkinists of his time, Ju. Oksman was sent to a camp in Kolyma in 1936. Upon his release in 1947, he found a position at Saratov University, then he moved to the ...
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    Chapter Temi occidentali e loro variazioni russe nelle narrazioni letterarie sul Gulag: Ju. Margolin, V. Šalamov, Ju. Dombrovskij, A. Solženicyn 

    Jurgenson, Luba (2017)
    Testimonies about the Gulag use several recurring motives. Inspired by narratives of Western culture and their Russian counterparts such as hell or the fragmented body, these motives constitute a metatext on the rupture ...
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    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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