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dc.contributor.authorD'Errico, Lucia
dc.date.accessioned2018-07-09 23:55
dc.date.accessioned2019-05-13 14:54:12
dc.date.accessioned2020-04-01T12:36:32Z
dc.date.available2020-04-01T12:36:32Z
dc.date.issued2018
dc.identifier1000228
dc.identifierOCN: 1051778732en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/29716
dc.description.abstract"Beyond resemblance: creative divergence in music performance What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. The approach is based on divergence, on the difference produced by intensifying the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics."
dc.languageEnglish
dc.relation.ispartofseriesOrpheus Institute Series
dc.subject.classificationbic Book Industry Communication::A The arts::AV Music::AVA Theory of music & musicology
dc.subject.othermusic performance
dc.subject.otherartistic research
dc.subject.otherdivergence
dc.subject.otherBaroque music
dc.subject.otherGilles Deleuze
dc.subject.otherMusical composition
dc.subject.otherMusical notation
dc.subject.otherSemiotics
dc.titlePowers of Divergence
dc.title.alternativeAn Experimental Approach to Music Performance
dc.typebook
oapen.identifier.doi10.26530/OAPEN_1000228
oapen.relation.isPublishedBy91436d3b-fb9a-45e9-8a57-08708b92dcda
virtual.oapen_relation_isPublishedBy.publisher_nameLeuven University Press
virtual.oapen_relation_isPublishedBy.publisher_websitehttps://lup.be/
oapen.relation.isFundedBy7292b17b-f01a-4016-94d3-d7fb5ef9fb79
virtual.oapen_relation_isFundedBy.grantor_name FP7 Ideas: European Research Council
oapen.relation.isbn9789462701397; 9789461662514
oapen.collectionEuropean Research Council (ERC)
oapen.pages220
oapen.place.publicationLeuven
oapen.grant.number313419
oapen.grant.acronymMUSICEXPERIMENT21
oapen.grant.programFP7 SC39
oapen.remark.publicRelevant Wikipedia pages: Baroque music - https://en.wikipedia.org/wiki/Baroque_music; Gilles Deleuze - https://en.wikipedia.org/wiki/Gilles_Deleuze; Musical composition - https://en.wikipedia.org/wiki/Musical_composition; Musical notation - https://en.wikipedia.org/wiki/Musical_notation; Performance - https://en.wikipedia.org/wiki/Performance; Semiotics - https://en.wikipedia.org/wiki/Semiotics


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