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dc.contributor.authorGoehr, Lydia
dc.contributor.authorDavie, David
dc.contributor.authorKiloh, Kathy
dc.contributor.authorMcNulty, Jake
dc.contributor.authorHindrichs, Gunnar
dc.contributor.authorRink, John
dc.contributor.editorde Assis , Paulo
dc.date.accessioned2018-07-09 23:55
dc.date.accessioned2020-01-26 03:15:56
dc.date.accessioned2020-04-01T12:36:34Z
dc.date.available2020-04-01T12:36:34Z
dc.date.issued2018
dc.identifier1000227
dc.identifierOCN: 1076700638en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/29717
dc.description.abstract"Beyond musical works: new perspectives on music ontology and performance What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised? Virtual Works – Actual Things addresses contemporary music ontological discourses, challenging dominant musicological accounts, questioning their authoritative foundation and moving towards dynamic perspectives devised by music practitioners and artist researchers. Specific attention is given to the relationship between the virtual multiplicities that enable the construction of an image of a musical work and the actual, concrete materials that make such a construction possible. With contributions by prominent scholars, this book is a wide-ranging and fascinating collection of essays, which will be of great interest for artistic research, contemporary musicology, music philosophy, performance studies and music pedagogy alike. Contributors: David Davies (McGill University, Montreal), Andreas Dorschel (University of the Arts Graz), Lydia Goehr (Columbia University, New York), Kathy Kiloh (OCAD University, Toronto), Jake McNulty (Columbia University, New York), Gunnar Hindrichs (University of Basel), John Rink (University of Cambridge)"
dc.languageEnglish
dc.relation.ispartofseriesOrpheus Institute Series
dc.subject.classificationthema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicologyen_US
dc.subject.othermusic performance
dc.subject.otherartistic research
dc.subject.othermusic ontology
dc.subject.otherAesthetics
dc.subject.otherGilles Deleuze
dc.subject.otherMusical composition
dc.subject.otherParadigm
dc.subject.otherTheodor W. Adorno
dc.titleVirtual Works – Actual Things
dc.title.alternativeEssays in Music Ontology
dc.typebook
oapen.identifier.doi10.26530/OAPEN_1000227
oapen.relation.isPublishedBy91436d3b-fb9a-45e9-8a57-08708b92dcda
oapen.relation.isFundedBy7292b17b-f01a-4016-94d3-d7fb5ef9fb79
oapen.relation.isbn9789462701403; 9789461662521
oapen.collectionEuropean Research Council (ERC)
oapen.pages208
oapen.place.publicationLeuven
oapen.grant.number313419
oapen.grant.acronymMUSICEXPERIMENT21
oapen.grant.programFP7 SC39
oapen.remark.publicRelevant Wikipedia pages: Aesthetics - https://en.wikipedia.org/wiki/Aesthetics; Gilles Deleuze - https://en.wikipedia.org/wiki/Gilles_Deleuze; Music - https://en.wikipedia.org/wiki/Music; Musical composition - https://en.wikipedia.org/wiki/Musical_composition; Ontology - https://en.wikipedia.org/wiki/Ontology; Paradigm - https://en.wikipedia.org/wiki/Paradigm; Performance - https://en.wikipedia.org/wiki/Performance; Theodor W. Adorno - https://en.wikipedia.org/wiki/Theodor_W._Adorno
oapen.identifier.ocn1076700638


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