Biopunk Dystopias
Genetic Engineering, Society and Science Fiction
Author(s)
Schmeink, Lars
Collection
Knowledge Unlatched (KU)Number
100393Language
EnglishAbstract
'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet.
Keywords
Literature; Science Fiction; Dystopia; Genetic engineering; Humanism; Late modernity; Posthuman; Posthumanism; UtopiaDOI
10.26530/oapen_626391ISBN
9781781383322OCN
968721479Publisher
Liverpool University PressPublisher website
https://www.liverpooluniversitypress.co.uk/Publication date and place
Liverpool, 2017-01-27Series
Liverpool Science Fiction Texts and Studies,Classification
Science fiction