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    Sea-changes - Melville - Forster - Britten

    the story of Billy Budd and its operatic adaptation

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    Author(s)
    Rochlitz, Hanna,
    Collection
    AG Universitätsverlage
    Language
    English
    Show full item record
    Abstract
    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the Forsterian creed of salvation through personal relationships. This study presents an extensive exploration of Forster’s involvement in the interpretation, transformation and re-creation of Melville’s text. It situates the story of the Handsome Sailor in the wider context of Forster’s literary oeuvre, his life, and his life writings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melville’s story was changed to fit an archetypal array of plot and character types that is central to Forster’s own storytelling.
     
    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the Forsterian creed of salvation through personal relationships. This study presents an extensive exploration of Forster’s involvement in the interpretation, transformation and re-creation of Melville’s text. It situates the story of the Handsome Sailor in the wider context of Forster’s literary oeuvre, his life, and his life writings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melville’s story was changed to fit an archetypal array of plot and character types that is central to Forster’s own storytelling.
     
    URI
    http://library.oapen.org/handle/20.500.12657/32563
    Keywords
    Storytelling; Opera; Melville; Forster; Britten; Novella; Benjamin Britten; Billy Budd (opera); E. M. Forster; Herman Melville; Homosexuality; Libretto
    DOI
    10.17875/gup2012-399
    ISBN
    9783863950453
    OCN
    924641383
    Publisher
    Universitätsverlag Göttingen
    Publication date and place
    2012
    Classification
    Opera
    Language and Linguistics
    Biography, Literature and Literary studies
    Ancient, classical and medieval texts
    Literature: history and criticism
    Public remark
    Relevant Wikipedia pages: Benjamin Britten - https://en.wikipedia.org/wiki/Benjamin_Britten; Billy Budd (opera) - https://en.wikipedia.org/wiki/Billy_Budd_(opera); E. M. Forster - https://en.wikipedia.org/wiki/E._M._Forster; Herman Melville - https://en.wikipedia.org/wiki/Herman_Melville; Homosexuality - https://en.wikipedia.org/wiki/Homosexuality; Libretto - https://en.wikipedia.org/wiki/Libretto; Novella - https://en.wikipedia.org/wiki/Novella
    Rights
    http://creativecommons.org/licenses/by-nc-nd/3.0/de/
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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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