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dc.contributor.authorde Assis, Paulo
dc.date.accessioned2015-12-31 23:55:55
dc.date.accessioned2019-05-13 14:54:12
dc.date.accessioned2020-04-01T14:23:05Z
dc.date.available2020-04-01T14:23:05Z
dc.date.issued2015
dc.identifier587990
dc.identifierOCN: 948825219en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/32935
dc.description.abstractExperimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries. The golden thread running through the different chapters is the quest for inherently experimental musical practices, a quest pursued from interrogating, descriptive, or challenging perspectives, and always in relation to concrete music examples. Experimental is taken as an adventurous compositional, interpretive, or performative attitude that can cut across different ages and styles. Affinities suggest connectors and connections, convergences, contiguities, and adjacencies that are found in and through a diversity of approaches and topics. The texts share a common genesis: the lectures of the International Orpheus Academies for Music and Theory convened by Luk Vaes (2011) and Paulo de Assis (2012, 2013). The affinities found in this volume include essays by Lydia Goehr, Felix Diergarten, Mark Lindley, Martin Kirnbauer, Edward Wickham, Lawrence Kramer, Hermann Danuser, and Thomas Christensen, as well as interviews with pianist Leon Fleisher, with pianist-composer Frederic Rzewski, and with composer Helmut Lachenmann. (publishing partner ‘Orpheus Institute’)
dc.languageEnglish
dc.relation.ispartofseriesOrpheus Institute Series
dc.subject.classificationbic Book Industry Communication::A The arts::AV Music::AVA Theory of music & musicology
dc.subject.otherrecitation
dc.subject.otherartistic experimentation
dc.subject.otherexpression
dc.subject.othermusic theory
dc.subject.otherexperimentation
dc.subject.othermusical meaning
dc.subject.otherorpheus institute series
dc.subject.otherinterpretation
dc.subject.otherexperiments
dc.subject.otherperformance
dc.subject.otherMusic theory
dc.titleExperimental Affinities in Music
dc.typebook
oapen.identifier.doi10.26530/OAPEN_587990
oapen.relation.isPublishedBy91436d3b-fb9a-45e9-8a57-08708b92dcda
virtual.oapen_relation_isPublishedBy.publisher_nameLeuven University Press
virtual.oapen_relation_isPublishedBy.publisher_websitehttps://lup.be/
oapen.relation.isFundedBy7292b17b-f01a-4016-94d3-d7fb5ef9fb79
virtual.oapen_relation_isFundedBy.grantor_name FP7 Ideas: European Research Council
oapen.relation.isbn9789461661883
oapen.collectionEuropean Research Council (ERC)
oapen.pages252
oapen.place.publicationBelgium, Leuven
oapen.grant.number313419
oapen.grant.acronymMUSICEXPERIMENT21
oapen.grant.programFP7 SC39
oapen.remark.publicRelevant Wikipedia page: Music theory - https://en.wikipedia.org/wiki/Music_theory


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