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dc.contributor.authorHongisto, Ilona
dc.date.accessioned2015-12-31 23:55:55
dc.date.accessioned2019-12-10 14:46:32
dc.date.accessioned2020-04-01T14:25:11Z
dc.date.available2020-04-01T14:25:11Z
dc.date.issued2015
dc.identifier579464
dc.identifierOCN: 945783745en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/32960
dc.description.abstract‘Soul of the Documentary’ offers a groundbreaking new approach to documentary cinema. Ilona Hongisto stirs current thinking by suggesting that the work of documentary films is not reducible to representing what already exists. By close-reading a diverse body of films - from ‘The Last Bolshevik’ to ‘Grey Gardens’ - Hongisto shows how documentary cinema intervenes in the real by framing it and creatively contributes to its perpetual unfolding. The emphasis on framing brings new urgency to the documentary tradition and its objectives, and provokes significant novel possibilities for thinking about the documentary's ethical and political potentials in the contemporary world.
dc.languageEnglish
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism
dc.subject.otherethics
dc.subject.otherexperimentation
dc.subject.otherimmanence
dc.subject.otherdocumentary
dc.subject.otheraesthetics
dc.titleSoul of the Documentary. Framing, Expression, Ethics
dc.typebook
oapen.identifier.doi10.5117/9789089647559
oapen.relation.isPublishedBydd3d1a33-0ac2-4cfe-a101-355ae1bd857a
oapen.relation.isbn9789089647559
oapen.identifier.ocn945783745


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