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dc.contributor.editorRøssaak, Eivind
dc.date.accessioned2012-12-31 23:55:55
dc.date.accessioned2019-12-10 14:46:32
dc.date.accessioned2020-04-01T15:17:26Z
dc.date.available2020-04-01T15:17:26Z
dc.date.issued2011
dc.identifier431802
dc.identifierOCN: 768082926en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/34455
dc.description.abstractNew technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaimed international scholars including Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom and Christa Blümlinger, starts out from a different premise to analyse stillness and motion as part of a larger ecology of images and media. They argue that the strategic uses of stillness and motion in art and entertainment since the 1850s illuminate and renegotiate urgent issues within both aesthetics, film, art and media history on the one hand, and, on the other, new perspectives on affects, memories and the contemporary patterns of communication and image circulation.
dc.languageEnglish
dc.relation.ispartofseriesFilm Culture in Transition
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinemaen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATJ Televisionen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticismen_US
dc.subject.otherphotography
dc.subject.otheralgorithms
dc.subject.othermotion pictures
dc.subject.otherfilm
dc.subject.otherPhotography
dc.titleBetween Stillness and Motion
dc.title.alternativeFilm, Photography, Algorithms
dc.typebook
oapen.abstract.otherlanguagePaperback versie, hardback verkrijgbaar onder het ISBN 9789089642134 Het in de jaren zeventig opkomende debat binnen de filmwetenschappen over stilstaand ('still') tegenover bewegend beeld ('moving') werd gevoed door de 'apparatus theory' en het idee van verstilde beweging door belichting. Filmische beweging was een illusie, luidde het axioma; beweging een 'ideologische invloed van het filmische apparaat'. Stilstaand beeld gold als de verborgen, zelfs verdrongen, basis voor de industriële illusie van filmische beweging. De auteurs stellen voor om af te stappen van dit verstokte 'still/moving'-debat binnen de filmstudies en zich te richten op een positievere kritiek en een meer affectieve vorm van media-archeologie.
oapen.identifier.doi10.26530/OAPEN_431802
oapen.relation.isPublishedBydd3d1a33-0ac2-4cfe-a101-355ae1bd857a
oapen.pages244
oapen.remark.publicRelevant Wikipedia page: Photography - https://en.wikipedia.org/wiki/Photography
oapen.identifier.ocn768082926


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