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dc.contributor.authorFeenstra, Pietsie
dc.date.accessioned2011-12-31 23:55:55
dc.date.accessioned2019-12-10 14:46:32
dc.date.accessioned2020-04-01T15:20:57Z
dc.date.available2020-04-01T15:20:57Z
dc.date.issued2011
dc.identifier396430
dc.identifierOCN: 763156954en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/34593
dc.description.abstractIn the 1970s, especially after Franco’s death in 1975, Spanish cinema was bursting at the seams. Numerous film directors broke free from the ancient taboos which had reigned under the dictatorship. They introduced characters who, through their bodies, transgress the traditional borders of social, cultural and sexual identities. Post- Franco cinema exhibits women, homosexuals, transsexuals, and delinquents in new and challenging ways. Under Franco rule, all of these dissident bodies were ‘lost'. Here, they reflect new mythological figures, inhabiting an idealised body form (a prototypical body). These new images transform the stereotyped bodies as they question ancient archetypal values. Spanish cinema offers a dazzling performance transforming previous dissident bodies into the new protagonists of its national cinema.
dc.languageEnglish
dc.relation.ispartofseriesFilm Culture in Transition
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticismen_US
dc.subject.otherfilm
dc.subject.otherspanish cinema
dc.subject.otherCádiz
dc.subject.otherETA (separatist group)
dc.subject.otherFrancoist Spain
dc.subject.otherHomosexuality
dc.subject.otherLute
dc.subject.otherPedro Almodóvar
dc.subject.otherSpain
dc.titleNew Mythological Figures in Spanish Cinema
dc.title.alternativeDissident Bodies under Franco
dc.typebook
oapen.abstract.otherlanguageNew Mythological Figures in Spanish Cinema (1975-1995) brengt de ontwikkeling van de Spaanse cinema in kaart vanaf de periode na de dood van generaal Franco (1975) tot en met de jaren negentig. Pietsie Feenstra beschrijft hoe in de jaren zeventig de Spaanse film tot bloei kwam met nieuwe, flamboyante personages. Vele filmmakers rekenden af met de taboes uit de tijd van de dictatuur. Door te beschrijven hoe vanuit een dictatuur nieuwe denkbeelden in de film terechtkwamen, introduceert Feenstra een originele methode voor het analyseren van nieuwe mythologische vertellingen. Het boek wordt ingeleid door filmhistorica Michèle Lagny, bijzonder hoogleraar aan de Université Sorbonne Nouvelle Paris 3. Feenstra promoveerde in 2001 bij Lagny en is sindsdien verbonden aan de Sorbonne Nouvelle.
oapen.identifier.doi10.5117/9789089643049
oapen.relation.isPublishedBydd3d1a33-0ac2-4cfe-a101-355ae1bd857a
oapen.relation.isbn9789089643049
oapen.pages332
oapen.remark.publicRelevant Wikipedia pages: Cádiz - https://en.wikipedia.org/wiki/C%C3%A1diz; Cinema of Spain - https://en.wikipedia.org/wiki/Cinema_of_Spain; ETA (separatist group) - https://en.wikipedia.org/wiki/ETA_(separatist_group); Francoist Spain - https://en.wikipedia.org/wiki/Francoist_Spain; Homosexuality - https://en.wikipedia.org/wiki/Homosexuality; Lute - https://en.wikipedia.org/wiki/Lute; Pedro Almodóvar - https://en.wikipedia.org/wiki/Pedro_Almod%C3%B3var; Spain - https://en.wikipedia.org/wiki/Spain
oapen.identifier.ocn763156954


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