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dc.contributor.editorBleeker, Maaike
dc.date.accessioned2010-12-31 23:55:55
dc.date.accessioned2019-12-10 14:46:32
dc.date.accessioned2020-04-01T15:38:45Z
dc.date.available2020-04-01T15:38:45Z
dc.date.issued2008
dc.identifier340004
dc.identifierOCN: 471127262en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/35320
dc.description.abstractGross anatomy, the study of anatomical structures that can be seen by unassisted vision, has long been a subject of fascination for artists. For most modern viewers, however, the anatomy lesson hardly seems the proper breeding ground for the hybrid workings of art and theory. We forget that, in its early stages, anatomy pursued the highly theatrical spirit of Renaissance science, as painters such as Rembrandt and Da Vinci and medical instructors shared audiences devoted to the workings of the human body. Anatomy Live turns our modern notions of the dissecting table on its head - using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage. Critically dissecting well-known exhibitions like Body Worlds and The Visible Human Project and featuring contributions from a number of diverse scholars, Anatomy Live is not to be missed by anyone with an interest in this engaging intersection of science and artistic practice.
dc.languageEnglish
dc.relation.ispartofseriesMediaMatters
dc.subject.classificationthema EDItEUR::P Mathematics and Science::PD Science: general issuesen_US
dc.subject.otherwetenschap algemeen
dc.subject.otherpopular science
dc.titleAnatomy Live
dc.title.alternativePerformance and the Operating Theatre
dc.typebook
oapen.abstract.otherlanguageIn de bundel Anatomy Live gaan verschillende wetenschappers in op de relatie tussen de geschiedenis van het anatomische lichaam en het theater. In de openbare ontledingen in het historische anatomische theater van de vroege renaissance werd de basis gelegd voor wat in de daaropvolgende eeuwen het wetenschappelijke beeld van het lichaam zou gaan bepalen. Dat laatste geschiedde in een theater in de vorm van een voorstelling. In de loop van de eeuwen die volgden is dit theatrale en performatieve karakter van anatomische kennis op de achtergrond geraakt. Nieuwe artistieke en wetenschappelijke ontwikkelingen nodigen uit tot heroverweging van de relaties tussen anatomie en theater in heden en verleden.
oapen.identifier.doi10.5117/9789053565162
oapen.relation.isPublishedBydd3d1a33-0ac2-4cfe-a101-355ae1bd857a
oapen.relation.isbn9789053565162
oapen.series.number1
oapen.pages272
oapen.identifier.ocn471127262


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